Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Robert Christgau | B− |
| Entertainment Weekly | (B) |
| Los Angeles Times | |
| HipHopDX | |
| RapReviews | (8/10) |
| Rolling Stone | |
| USA Today | |
Jason Birchmeier of Allmusic called Word of Mouf a "superstar affair that aims for mass appeal with a broad array of different styles" and enjoyed "witty puns and sly innuendoes" displayed in songs such as "Area Codes". However, he felt that "amid all of these various team-ups you do lose a little bit of the sincere, personal edge that had characterized much of Ludacris' debut." Soren Baker of the Chicago Tribune also praised the album's comedic nature, commenting that "Whether he's delivering a punchy one-liner, exaggerating his rhyme flow to a silly extreme or cleverly deploying pop culture references, Ludacris keeps the mood light and festive. Even his skits are funny enough that they could serve as the foundation for a top-tier comedy album."
Read more about this topic: Word Of Mouf
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)