History
In 1962, Atlanta suffered an unprecedented loss when an airplane, the Chateau de Sully, carrying the leaders of Atlanta’s arts and civic community crashed at the end of runway 8 attempting takeoff at Orly Airport. As the city grieved, it came together and used the devastating loss as a catalyst for the arts and built a fitting memorial to these victims. This led to the creation of the Atlanta Arts Alliance.
The Memorial Arts Center, as the Woodruff was originally known, opened October 5, 1968. It was renamed the Woodruff Arts Center in 1982 to honor its greatest benefactor, Robert W. Woodruff. The art center also included the Atlanta College of Art, the Atlanta Symphony Orchestra and the High Museum of Art. All three entities were combined into one corporation, then as now, unprecedented in this country. The Alliance Theatre was added in 1970 as the fourth division of the Woodruff and thirty-five years later in 2005, a fifth division was added when Young Audiences joined the center. This addition ensures the Woodruff’s PreK-12 programs now reach more than one million children annually, the largest base of any arts center in the country.
The Woodruff campus expanded in 1983 with the addition of the Richard Meier-designed High Museum of Art building. This building made Meier the youngest Pritzker Prize-winning architect at that time.
On November 12-13, 2005, the Woodruff introduced its largest expansion since opening in 1968. The new addition features two new exhibit buildings and a new administrative and curatorial building for the High Museum of Art; a residence hall and sculpture studio; a full-service restaurant — Table 1280 at the Woodruff — as well as a public piazza and a new parking structure. This new "village for the arts" was designed by another Pritzker Prize winner, Italian architect Renzo Piano.
Read more about this topic: Woodruff Arts Center
Famous quotes containing the word history:
“America is the only nation in history which miraculously has gone directly from barbarism to degeneration without the usual interval of civilization.”
—Georges Clemenceau (1841–1929)
“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
—Alexander Herzen (1812–1870)
“The thing that struck me forcefully was the feeling of great age about the place. Standing on that old parade ground, which is now a cricket field, I could feel the dead generations crowding me. Here was the oldest settlement of freedmen in the Western world, no doubt. Men who had thrown off the bands of slavery by their own courage and ingenuity. The courage and daring of the Maroons strike like a purple beam across the history of Jamaica.”
—Zora Neale Hurston (1891–1960)