Wolfgang Amadeus Mozart In Fiction
The celebrated composer Wolfgang Amadeus Mozart (1756–1791) led a life that was dramatic in many respects, including his extraordinary career as a child prodigy, his struggles to achieve personal independence and establish a career, his brushes with financial disaster, and his somewhat mysterious death in the course of attempting to complete his Requiem. Authors of fictional works have found his life a compelling source of raw material. Such works have included novels, plays, operas, and films.
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“As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relations with this best and truest friend of mankind, that his image is not only no longer terrifying to me, but is indeed very soothing and consoling! And I thank my God for graciously granting me the opportunity ... of learning that death is the key which unlocks the door to our true happiness.”
—Wolfgang Amadeus Mozart (1756–1791)
“One criticizes the English for carrying their teapots wherever they go, even lugging them up Mount Etna. But doesn’t every nation have its teapot, in which, even when traveling, it brews the dried bundles of herbs brought from home?”
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“Human beings ought not to draw in their antennae at every ungentle touch, like supersensitive insects.”
—E.T.A.W. (Ernst Theodor Amadeus Wilhelm)
“One must not make oneself cheap here—that is a cardinal point—or else one is done. Whoever is most impertinent has the best chance.”
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“For if the proper study of mankind is man, it is evidently more sensible to occupy yourself with the coherent, substantial and significant creatures of fiction than with the irrational and shadowy figures of real life.”
—W. Somerset Maugham (1874–1965)