Wolfgang Amadeus Mozart In Fiction
The celebrated composer Wolfgang Amadeus Mozart (1756–1791) led a life that was dramatic in many respects, including his extraordinary career as a child prodigy, his struggles to achieve personal independence and establish a career, his brushes with financial disaster, and his somewhat mysterious death in the course of attempting to complete his Requiem. Authors of fictional works have found his life a compelling source of raw material. Such works have included novels, plays, operas, and films.
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“One must not make oneself cheap here—that is a cardinal point—or else one is done. Whoever is most impertinent has the best chance.”
—Wolfgang Amadeus Mozart (1756–1791)
““O father! O father! now, now, keep your hold,
The Erl-King has seized me—his grasp is so cold!
Sore trembled the father; he spurr’d thro’ the wild,
Clasping close to his bosom his shuddering child;
He reaches his dwelling in doubt and in dread,
But, clasp’d to his bosom, the infant was dead.”
—Johann Wolfgang Von Goethe (1799–1832)
“It is true that writers often owe their most inspired thoughts, their most extraordinary phrases, to their generous typesetters, who assist their flights of fancy with so-called typographical errors.”
—E.T.A.W. (Ernst Theodor Amadeus Wilhelm)
“No one asks you to throw Mozart out of the window. Keep Mozart. Cherish him. Keep Moses too, and Buddha and Lao tse and Christ. Keep them in your heart. But make room for the others, the coming ones, the ones who are already scratching on the window-panes.”
—Henry Miller (1891–1980)
“Coincidence is a pimp and a cardsharper in ordinary fiction but a marvelous artist in the patterns of facts recollected by a non-ordinary memorist.”
—Vladimir Nabokov (1899–1977)