Wolfgang Amadeus Mozart In Fiction
The celebrated composer Wolfgang Amadeus Mozart (1756–1791) led a life that was dramatic in many respects, including his extraordinary career as a child prodigy, his struggles to achieve personal independence and establish a career, his brushes with financial disaster, and his somewhat mysterious death in the course of attempting to complete his Requiem. Authors of fictional works have found his life a compelling source of raw material. Such works have included novels, plays, operas, and films.
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“As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relations with this best and truest friend of mankind, that his image is not only no longer terrifying to me, but is indeed very soothing and consoling! And I thank my God for graciously granting me the opportunity ... of learning that death is the key which unlocks the door to our true happiness.”
—Wolfgang Amadeus Mozart (1756–1791)
“The safest thing is always to try to convert everything that is in us and around us into action; let the others talk and argue about it as they please.”
—Johann Wolfgang Von Goethe (1749–1832)
“Human beings ought not to draw in their antennae at every ungentle touch, like supersensitive insects.”
—E.T.A.W. (Ernst Theodor Amadeus Wilhelm)
“Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.”
—Henri-Frédéric Amiel (1821–1881)
“If there were genders to genres, fiction would be unquestionably feminine.”
—William Gass (b. 1924)