Wolfgang Amadeus Mozart In Fiction
The celebrated composer Wolfgang Amadeus Mozart (1756–1791) led a life that was dramatic in many respects, including his extraordinary career as a child prodigy, his struggles to achieve personal independence and establish a career, his brushes with financial disaster, and his somewhat mysterious death in the course of attempting to complete his Requiem. Authors of fictional works have found his life a compelling source of raw material. Such works have included novels, plays, operas, and films.
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“One must not make oneself cheap here—that is a cardinal point—or else one is done. Whoever is most impertinent has the best chance.”
—Wolfgang Amadeus Mozart (1756–1791)
“Don’t feel guilty if you don’t immediately love your stepchildren as you do your own, or as much as you think you should. Everyone needs time to adjust to the new family, adults included. There is no such thing as an “instant parent.”
Actually, no concrete object lies outside of the poetic sphere as long as the poet knows how to use the object properly.”
—Johann Wolfgang Von Goethe (1749–1832)
“Think of the wonderful circles in which our whole being moves and from which we cannot escape no matter how we try. The circler circles in these circles....”
—E.T.A.W. (Ernst Theodor Amadeus Wilhelm)
“As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relations with this best and truest friend of mankind, that his image is not only no longer terrifying to me, but is indeed very soothing and consoling! And I thank my God for graciously granting me the opportunity ... of learning that death is the key which unlocks the door to our true happiness.”
—Wolfgang Amadeus Mozart (1756–1791)
“A reader who quarrels with postulates, who dislikes Hamlet because he does not believe that there are ghosts or that people speak in pentameters, clearly has no business in literature. He cannot distinguish fiction from fact, and belongs in the same category as the people who send cheques to radio stations for the relief of suffering heroines in soap operas.”
—Northrop Frye (b. 1912)