Wolf Creek (film) - Production

Production

Wolf Creek is set in a real location; however, the actual meteorite crater location is called "Wolfe Creek", and is located in northern Western Australia. It is the second largest meteorite crater in the world from which meteorite fragments have been recovered. Wolf Creek was filmed almost entirely in South Australia; however the aerial shots of the crater in the film show the genuine Wolfe Creek crater.

Several strange occurrences happened during the production of the film; one particular location that was used during the shooting of the travellers' drive to Wolf Creek had not seen rainfall in over six years – however, once the crew arrived and shooting proceeded, it rained for three continuous days, forcing the writer, director and actors to incorporate the highly unexpected rainfall into the script. According to Greg McLean, the fact that it was raining and gloomy in an otherwise dry, sunny desert area gave the sequences a feel of "menace". Star Kestie Morassi also mentioned several odd occurrences during an audio commentary for the film, including the fact that there was a full moon on the first night of shooting the film and over a year later, when the film premiered at Sundance there was also a full moon.

The rock quarry where Mick's mining site is located was the site of a real-life murder, which stirred up controversy from the local residents who mistook the film as being based on that crime. According to director McLean and others, John Jarratt went to extremes in preparing for his role as Mick, in a bid to emulate, as close as possible, the real-life serial killer Ivan Milat: he spent significant time alone in the isolated outback and went for weeks without showering.

The sign on the front gate of Mick's mining site reads "Navithalim Mining Co." Navi & thalim spelt backwards reads: Ivan Milaht, evidently referencing Ivan Milat.

Since the film had a relatively low budget, many of the action scenes involved the real actors; for example, after running through the outback when her character escapes, star Kestie Morassi ended up with hundreds of thorns and nettles in her feet. During the shooting of Morassi's torture scene in the shed, her non-stop screams and crying began to discomfort and unsettle the crew; executive producer Matt Hearn said that the female members of the shooting crew were brought to tears by it, as if someone were actually being tortured.

The film was shot digitally on the HDCAM format and was mostly handheld (aside from a few static composite shots).

Read more about this topic:  Wolf Creek (film)

Famous quotes containing the word production:

    [T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.”
    State of Utah, U.S. public relief program (1935-1943)

    It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.
    John Dewey (1859–1952)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)