Reception
A lack of a split screen two player option on the PlayStation version was seen as a serious flaw by many gamers. Mirroring the trend of many PlayStation games early in the console's life, Wipeout 2097 offered only a console link-up section requiring players to have access to a link cable, two television sets, two PlayStation consoles, and two copies of the game.
In spite of this, the single player received considerable praise for its technically challenging racing and fusion of popular culture elements. Many sources cite the unique blend of techno music and designer logos in one cohesive futuristic racing universe as the beginning of a new trend in gaming to tap into popular culture and other arts, which was made possible by the new storage space of the time. In IGN's top 25 PSX games of all time list it ranked 13th, citing that it was often considered the PlayStation's best racing game of its time and was chosen ahead of others in the series because its the one they prefer to keep coming back to. Currently it also ranks as the fourth best PSX game at Gamerankings with an average review score of 94.61 from 9 different sources.
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Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)