Winthrop Mackworth Praed - Literary Works; Praed Society at Eton

Literary Works; Praed Society At Eton

His poems were first edited by Rufus Wilmot Griswold (New York, 1844); another American edition, by W. A. Whitmore, appeared in 1859; an authorized edition with a memoir by Derwent Coleridge appeared in 1864: The Political and Occasional Poems of W. M. Praed (1888), edited with notes by his nephew, Sir George Young, included many pieces collected from various newspapers and periodicals. Sir George Young separated from his work some poems, the work of his friend Edward FitzGerald, generally confused with his. Praed's essays, contributed to various magazines, were published in Morley's Universal Library in 1887.

Praed was not only successful at Eton during his lifetime, but a society still exists that bears his name. The "Praed" society is the poetry society currently existing at Eton. It meets at a master's house and membership is by invitation.

Read more about this topic:  Winthrop Mackworth Praed

Famous quotes containing the words literary, praed and/or society:

    This great kindness pervades Chekhov’s literary work, but it is not a matter of program or of literary message with him, but simply the natural coloration of his talent.
    Vladimir Nabokov (1899–1977)

    When all who had money and leisure
    Grew rural o’er ices and wines,
    All pleasantly toiling for pleasure,
    All hungrily pining for pines,
    And making of beautiful speeches,
    And marring of beautiful shows,
    And feeding on delicate peaches,
    And treading on delicate toes.
    —Winthrop Mackworth Praed (1802–1839)

    And what is an authentic madman? It is a man who preferred to become mad, in the socially accepted sense of the word, rather than forfeit a certain superior idea of human honor. So society has strangled in its asylums all those it wanted to get rid of or protect itself from, because they refused to become its accomplices in certain great nastinesses. For a madman is also a man whom society did not want to hear and whom it wanted to prevent from uttering certain intolerable truths.
    Antonin Artaud (1896–1948)