Plot
Upon hearing that Token has won a contest that will allow him to sing at a Colorado beauty pageant and receive $200, Stan, Cartman, Kyle, and Kenny decide to set up the "Super Awesome Talent Agency" and obtain 10% of his earnings by becoming his agents. They lose him to Creative Artists Agency, however, only to land a singer named Wing, who is the wife of the City Wok owner, Tuong Lu Kim. Recently smuggled into the United States by the Chinese Mafia, Wing has been set to audition for American Idol, and the boys agree to bring her to Los Angeles for the competition. This venture does not go as planned and instead enter her into The Contender. Sylvester Stallone is impressed with her singing even as she is beaten and gives her a chance to sing at his son's wedding, which will give the boys a 10% share of $4000.
However, by this time, Wing has been kidnapped by the Chinese Mafia for not paying the $10,000 owed to them for getting her into the States. The boys go after Wing to get back their client. Both the Mafia and the boys are unaware of the other's intentions; the boys mistake the Mafia for the Creative Artists Agency, the agency that stole Token, while the Mafia think the boys are a rival group. In a shootout at the Mafia's headquarters, Kenny is killed, and Kyle inadvertently manages to kill two Mafia guards. Stan concludes with a monologue about how Wing is a human being and that people's lives should not be sold as commodities which makes the boys and the Mafia realize that their businesses are dirty and exploit the hopes of others. They all decide to quit and go to listen to Wing sing at the wedding, only to find Token waiting tables, trying to earn enough money to get back home as CAA did nothing for him.
Read more about this topic: Wing (South Park)
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)