Materials
Wind chimes can be made of materials other than metal or wood and in shapes other than tubes or rods. Other wind chimes materials include glass, bamboo, shell, stone, earthenware, stoneware and porcelain. More exotic items, such as silverware or cookie cutters, can also be recycled to create wind chimes. The selected material can have a large impact on the sound a wind chime produces. The sounds produced by recycling objects such as these are not tunable to specific notes and range from pleasant tinkling to dull thuds. The sounds produced by properly sized wind chime tubes are tunable to notes, as discussed in the external link below. As aluminum is the common metal with the lowest internal damping, wind chimes are often made from aluminum to achieve the longest and loudest sounding chime.
The tone will depend on factors such as the material, the exact alloy, and heat treatment and the use of a solid cylinder or a tube. If a tube is used, the wall thickness also has an impact on the tone. Tone may also depend on the hanging method. The tone quality will also depend on the material of the object that is used to hit the chimes.
With clay wind chimes, the higher the final firing temperature required, the higher and more ringing the tone will be. Lower fired earthenware clay produces a duller sound than higher fired stoneware clay. Stoneware wind chimes are also more durable and able to resist stronger winds without suffering chipping or damage.
Read more about this topic: Wind Chime
Famous quotes containing the word materials:
“He was no specialist except in the relation of things.... He took most of his materials at second hand.... But no matter who mined the gold, the image and superscription are his.”
—Woodrow Wilson (1856–1924)
“Kicking his mother until she let go of his soul
Has given his a healthy appetite: clearly, her role
In the New Order must be
To supply and deliver his raw materials free;”
—W.H. (Wystan Hugh)
“Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called “silent poetry,” and poetry “speaking painting.” The laws of each art are convertible into the laws of every other.”
—Ralph Waldo Emerson (1803–1882)