Film and Television Set
- Scenes from the Stanley Kubrick film Barry Lyndon (1975) were filmed in the Double Cube Room.
- The Double Cube Room was used in The Bounty (1984) to represent the Admiralty building for the court martial of Captain Bligh for the loss of the Bounty.
- The palladian bridge and gardens were featured in the Blackadder II episode "Bells" and the end titles of all episodes.
- Rooms from the palace appear as rooms of Windsor Castle in The Madness of King George (1994) (specifically, the concert with the bell-ringers, and two later scenes with the Prince of Wales, all shot in the Double Cube Room).
- Scenes from Mrs. Brown (1997) were filmed in the Double Cube Room, once again portraying the interior of Windsor Castle.
- Rooms from the palace form the inside set of Pemberley (Chatsworth) in the 2005 film adaptation of the novel Pride and Prejudice.
- Scenes from The Young Victoria, a film about the early years of Queen Victoria's reign, were filmed at Wilton.
- Scenes from the John Cleese featurette Romance with a Double Bass (1974) were filmed in the Double Cube Room.
Read more about this topic: Wilton House
Famous quotes containing the words film and, film, television and/or set:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”
—Joyce Carol Oates (b. 1938)
“He that has his chains knocked off, and the prison doors set open to him, is perfectly at liberty, because he may either go or stay, as he best likes; though his preference be determined to stay, by the darkness of the night, or illness of the weather, or want of other lodging. He ceases not to be free, though the desire of some convenience to be had there absolutely determines his preference, and makes him stay in his prison.”
—John Locke (1632–1704)