Criticism
Literary critics have stated that although reading Harris's work is challenging, it is rewarding in many ways. Harris has been admired for his exploration of the themes of conquest and colonization as well as the struggles of colonized peoples. Readers have commented that his novels are an attempt to express truths about the way people experience reality through the lens of the imagination. Harris has been faulted for his novels that have often nonlinear plot lines, and for his preference of internal perceptions over external realities.
Critics have described Harris's abstract, experimental narratives as difficult to read, dense, complex, or opaque. Many readers have commented that Harris's essays push the boundaries of traditional literary criticism, and that his fiction pushes the limits of the novel genre itself. Harris's writing has been associated with many different literary genres by critics, including: surrealism, magic realism, mysticism and modernism. Over the years, Harris has used many different concepts to define his literary approach, including: cross-culturalism, modern allegory, epic, and quantum fiction. One critic described Harris's fictions as informed by "quantum penetration where Existence and non-existence are both real. You can contemplate them as if both are true."
His writing has been called ambitiously experimental and his narrative structure is described as "multiple and flexible."
Wilson Harris categorized his innovations and literary techniques as quantum fiction. He uses the definition in The Carnival Trilogy and, in the final novel, The Four Banks of the River of Space.
Harris noted in an interview that "in describing the world you see, the language evolves and begins to encompass realities that are not visible". Harris attributed his innovative literary techniques as a development that was the result of being witness to the physical world behaving as quantum theory. To accommodate his new perceptions, Harris said he realized he was writing "quantum fiction".
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