Willy Vandersteen - Themes and Influences in The Work of Vandersteen

Themes and Influences in The Work of Vandersteen

Willy Vandersteen used a wild variety of themes and influences in his work from early on. He made fairytales, historic series, westerns, but also science fiction and many contemporary comics. While some series like De Familie Snoek and Bessy stuck very close to their origin (an everyday Flemish contemporary family for the former, and a pioneer family in the American Old West in the latter), others were more loose. De Rode Ridder, the story of a medieval knight, wandered from Arthurian tales over the crusades until the explorations of the fifteenth and sixteenth century, thereby spanning some ten centuries, and later (when Vandersteen was less involved in the series) brought in many elements of sword and sorcery and fantasy.

Suske and Wiske is a contemporary series, but many stories used the plot device of time travelling, either by a machine or by some poetic device. This enabled stories to evolve in a myriad of periods, often again in the Middle Ages though. Furthermore did Vandersteen use local legends of Antwerp and Limburg, parodies of American superhero series like Batman, science fiction, and popular TV series. Vandersteen also got inspiration from the different long journeys he made, like his long trip to the Far East in 1959. Some of the earliest realistic comics of Willy Vandersteen also clearly show the strong influence he has had from American comics like Prince Valiant and Tarzan, but he later developed his own distinctive style.

Read more about this topic:  Willy Vandersteen

Famous quotes containing the words themes, influences and/or work:

    I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.
    Henry David Thoreau (1817–1862)

    Professors of literature, who for the most part are genteel but mediocre men, can make but a poor defense of their profession, and the professors of science, who are frequently men of great intelligence but of limited interests and education, feel a politely disguised contempt for it; and thus the study of one of the most pervasive and powerful influences on human life is traduced and neglected.
    Yvor Winters (1900–1968)

    A work of art is an echo chamber which repeats what people say about it.
    Mason Cooley (b. 1927)