William Wilson (short Story) - Analysis

Analysis

"William Wilson" clearly explores the theme of the double. This second self haunts the protagonist and leads him to insanity and also represents his own insanity. According to Poe biographer, Arthur Hobson Quinn, the second self represents the conscience. This division of the self is reinforced by the narrator's admission that "William Wilson" is actually a pseudonym. The name itself is an interesting choice: "son" of "will". In other words, William Wilson has willed himself into being along with the double which shares that name.

Poe wrote the story very carefully and with subtlety. Sentences are balanced, with very few adjectives, and there is little concrete imagery beyond the description of Wilson's school. Pacing is purposely set as leisurely and measured using a formal style and longer sentences. Rather than creating a poetic effect or mood, as Poe recommends in "The Philosophy of Composition", Poe is creating a tale based on rationality and logic.

Read more about this topic:  William Wilson (short Story)

Famous quotes containing the word analysis:

    Analysis as an instrument of enlightenment and civilization is good, in so far as it shatters absurd convictions, acts as a solvent upon natural prejudices, and undermines authority; good, in other words, in that it sets free, refines, humanizes, makes slaves ripe for freedom. But it is bad, very bad, in so far as it stands in the way of action, cannot shape the vital forces, maims life at its roots. Analysis can be a very unappetizing affair, as much so as death.
    Thomas Mann (1875–1955)

    Whatever else American thinkers do, they psychologize, often brilliantly. The trouble is that psychology only takes us so far. The new interest in families has its merits, but it will have done us all a disservice if it turns us away from public issues to private matters. A vision of things that has no room for the inner life is bankrupt, but a psychology without social analysis or politics is both powerless and very lonely.
    Joseph Featherstone (20th century)

    Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
    Octavio Paz (b. 1914)