In Popular Culture
In 1945 Boss Tweed was portrayed by Noah Beery, Sr. in the Broadway production of Up In Central Park, a musical comedy with music by Sigmund Romberg. The role was played by Malcolm Lee Beggs for a revival in 1947. In the 1948 film version, Tweed is played by Vincent Price.
On the 1963–1964 CBS TV series The Great Adventure, which presented one hour dramatizations of the lives of historical figures, Edward Andrews portrayed Tweed in the episode "The Man Who Stole New York City", which aired on December 13, 1963.
The 1976 novel Inferno, by Larry Niven and Jerry Pournelle, features a cameo appearance by Tweed, being tortured by demons in Hell.
In John Varley's 1977 science-fiction novel The Ophiuchi Hotline, a crooked politician in a 27th-century human settlement on the Moon assumes the name "Boss Tweed" in emulation of the 19th-century politician, and names his lunar headquarters "Tammany Hall". Tweed was played by Philip Bosco in the 1986 TV movie Liberty, and by Jim Broadbent as a major supporting character in the 2002 film Gangs of New York. Tweed is portrayed as a defender of the rights of minorities and helper of those in need in Pete Hamill's 2003 novel Forever.
Read more about this topic: William M. Tweed
Famous quotes containing the words popular and/or culture:
“Both gossip and joking are intrinsically valuable activities. Both are essentially social activities that strengthen interpersonal bondswe do not tell jokes and gossip to ourselves. As popular activities that evade social restrictions, they often refer to topics that are inaccessible to serious public discussion. Gossip and joking often appear together: when we gossip we usually tell jokes and when we are joking we often gossip as well.”
—Aaron Ben-ZeEv, Israeli philosopher. The Vindication of Gossip, Good Gossip, University Press of Kansas (1994)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creators lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)