William H. Hinton - Works

Works

  • 1966, Fanshen: A Documentary of Revolution in a Chinese Village, Monthly Review Press, ISBN 0-520-21040-9, ISBN 0-85345-046-3, ISBN 0-394-70465-7, ISBN 1-58367-175-7.
  • 1970, Iron Oxen - A Documentary of Revolution in Chinese Farming, Monthly Review Press, ISBN 0-394-71328-1, ISBN 0-85345-122-2.
  • 1972, Hundred Day War: The Cultural Revolution at Tsinghua University, Monthly Review Press, ISBN 0-85345-281-4, ISBN 0-85345-238-5.
  • 1972, Turning Point in China: An Essay on the Cultural Revolution, Monthly Review Press, ISBN 0-85345-215-6.
  • 1984, Shenfan, Vintage, ISBN 0-394-72378-3, ISBN 0-330-28396-0, ISBN 0-394-48142-9.
  • 1989, The Great Reversal: The Privatization of China, 1978-1989, Monthly Review Press, ISBN 0-85345-794-8, ISBN 0-85345-793-X.
  • 1995, Ninth Heaven to Ninth Hell: The History of a Noble Chinese Experiment (with Qin Huailu and Dusanka Miscevic), Barricade Books, ISBN 1-56980-041-3. About Chen Yonggui and Dazhai.
  • 2006, Through a Glass Darkly: American Views of the Chinese Revolution, Monthly Review Press, ISBN 1-58367-141-2. A critique of Edward Friedman, Paul G. Pickowicz, Mark Selden, Chinese Village, Socialist State, Yale University Press 1991, ISBN 0-300-05428-9.

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    Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.
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