William H. Hinton - Works

Works

  • 1966, Fanshen: A Documentary of Revolution in a Chinese Village, Monthly Review Press, ISBN 0-520-21040-9, ISBN 0-85345-046-3, ISBN 0-394-70465-7, ISBN 1-58367-175-7.
  • 1970, Iron Oxen - A Documentary of Revolution in Chinese Farming, Monthly Review Press, ISBN 0-394-71328-1, ISBN 0-85345-122-2.
  • 1972, Hundred Day War: The Cultural Revolution at Tsinghua University, Monthly Review Press, ISBN 0-85345-281-4, ISBN 0-85345-238-5.
  • 1972, Turning Point in China: An Essay on the Cultural Revolution, Monthly Review Press, ISBN 0-85345-215-6.
  • 1984, Shenfan, Vintage, ISBN 0-394-72378-3, ISBN 0-330-28396-0, ISBN 0-394-48142-9.
  • 1989, The Great Reversal: The Privatization of China, 1978-1989, Monthly Review Press, ISBN 0-85345-794-8, ISBN 0-85345-793-X.
  • 1995, Ninth Heaven to Ninth Hell: The History of a Noble Chinese Experiment (with Qin Huailu and Dusanka Miscevic), Barricade Books, ISBN 1-56980-041-3. About Chen Yonggui and Dazhai.
  • 2006, Through a Glass Darkly: American Views of the Chinese Revolution, Monthly Review Press, ISBN 1-58367-141-2. A critique of Edward Friedman, Paul G. Pickowicz, Mark Selden, Chinese Village, Socialist State, Yale University Press 1991, ISBN 0-300-05428-9.

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Famous quotes containing the word works:

    “Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
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