Works
- 1966, Fanshen: A Documentary of Revolution in a Chinese Village, Monthly Review Press, ISBN 0-520-21040-9, ISBN 0-85345-046-3, ISBN 0-394-70465-7, ISBN 1-58367-175-7.
- 1970, Iron Oxen - A Documentary of Revolution in Chinese Farming, Monthly Review Press, ISBN 0-394-71328-1, ISBN 0-85345-122-2.
- 1972, Hundred Day War: The Cultural Revolution at Tsinghua University, Monthly Review Press, ISBN 0-85345-281-4, ISBN 0-85345-238-5.
- 1972, Turning Point in China: An Essay on the Cultural Revolution, Monthly Review Press, ISBN 0-85345-215-6.
- 1984, Shenfan, Vintage, ISBN 0-394-72378-3, ISBN 0-330-28396-0, ISBN 0-394-48142-9.
- 1989, The Great Reversal: The Privatization of China, 1978-1989, Monthly Review Press, ISBN 0-85345-794-8, ISBN 0-85345-793-X.
- 1995, Ninth Heaven to Ninth Hell: The History of a Noble Chinese Experiment (with Qin Huailu and Dusanka Miscevic), Barricade Books, ISBN 1-56980-041-3. About Chen Yonggui and Dazhai.
- 2006, Through a Glass Darkly: American Views of the Chinese Revolution, Monthly Review Press, ISBN 1-58367-141-2. A critique of Edward Friedman, Paul G. Pickowicz, Mark Selden, Chinese Village, Socialist State, Yale University Press 1991, ISBN 0-300-05428-9.
Read more about this topic: William H. Hinton
Famous quotes containing the word works:
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
—Angelina Grimké (1805–1879)
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (1817–1862)