William Gell - Works

Works

  • A Tour in the Lakes Made in 1797,
  • The Topography of Troy and its vicinity illustrated and explained by drawings and descriptions etc.. London, 1804
  • The Geography and Antiquities of Ithaca. London, 1807
  • The Itinerary of Greece, with a commentary on Pausanias and Strabo, and an account of the Monuments of Antiquity at present existing in that country, compiled in the years 1801, 2, 5, 6 etc.. London, 1810.
  • The Itinerary of the Morea, being a description of the Routes of that Peninsula. London, 1817
  • Vievs in Barbary – taken in 1813. London, 1815
  • Pompeiana. The Topography of Edifices and Ornaments of Pompeii. 2 vols. London, 1817-8.
  • Narrative of a Journey in the Morea. London, 1823
  • Le Mura di Roma disegnate sa Sir W. Gell, illustrates con testo note da A. Nibby. Rome, 1820
  • Probestücke von Städtemauern des alten Griechenlands ... Aus dem Englischen übersetzt. Munich, 1831
  • The Topography of Rome and its Vicinity with Map". 2 vols. London, 1834.
  • Analisi storico-topografico-antiquaria della carta de' dintorni di Roma secondo le osservazione di Sir W. Gell e del professore A. Nibby. Rome 1837

Read more about this topic:  William Gell

Famous quotes containing the word works:

    “Your hooves have stamped at the black margin of the wood,
    Even where horrible green parrots call and swing.
    My works are all stamped down into the sultry mud.”
    —William Butler Yeats (1865–1939)

    “Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
    —bell hooks (b. c. 1955)

    “My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
    —George Bernard Shaw (1856–1950)