William Edward Norris - Novels

Novels

  • Heaps of Money (1877) aka From Poverty to Wealth
  • Mademoiselle de Mersac (1880)
  • Matrimony (1881)
  • No New Thing (1883)
  • Thirlby Hall (1883)
  • Adrian Vidal (1885)
  • A Bachelor's Blunder (1886)
  • My Friend Jim (1886)
  • Major and Minor (1887)
  • Chris (1888)
  • The Rogue (1888)
  • Miss Shafto (1889)
  • Mrs. Fenton (1889)
  • The Baffled Conspirators (1890)
  • Marcia (1890)
  • Misadventure (1890)
  • Miss Wentworth's Idea (1891)
  • Mr. Chaine's Sons (1891) aka The Brothers Three
  • His Grace (1892)
  • The Countess Radna (1893)
  • A Deplorable Affair (1893)
  • Matthew Austin (1894)
  • Saint Ann's (1894)
  • A Victim of Good Luck (1894)
  • Billy Bellew (1895)
  • Clarissa Furiosa (1897)
  • The Dancer in Yellow (1896)
  • The Fight for the Crown (1898)
  • Marietta's Marriage (1897)
  • The Widower (1898)
  • Giles Ingilby (1899)
  • The Flower of the Flock (1900)
  • The Embarrassing Orphan (1901) aka An Embarrassing Orphan
  • His Own Father (1901) aka The Distresses of Daphne
  • The Credit of the County (1902)
  • Lord Leonard the Luckless (1903)
  • Nature's Comedian (1904)
  • Nigel's Vocation (1904)
  • Barham of Beltana (1905) aka Payment in Full aka After Many Years
  • Lone Marie (1905)
  • Harry and Ursula (1907)
  • The Square Peg (1907)
  • Pauline (1908)
  • The Perjurer (1909)
  • Not Guilty (1910)
  • Vittoria Victrix (1911)
  • Paul's Paragon (1912)
  • The Right Honourable Gentleman (1913)
  • Barbara and Company (1914)
  • Troubled Tranton (1915) aka An Evil Inheritance
  • Proud Peter (1916)
  • Brown Amber (1917)
  • The Fond Fugitives (1917)
  • The Narrow Strait (1918)
  • The Obstinate Lady (1919)
  • The Triumphs of Sara (1920)
  • Tony the Exceptional (1921)
  • Sabine and Sabina (1922)
  • Next of Kin (1923)
  • The Conscience of Gavin Blane (1924)
  • Trevalion (1925)
  • Adrienne of Auxelles (1926)

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Famous quotes containing the word novels:

    “An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
    —George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    “Every reader of the Dreiser novels must cherish astounding specimens—of awkward, platitudinous marginalia, of whole scenes spoiled by bad writing, of phrases as brackish as so many lumps of sodium hyposulphite.”
    —H.L. (Henry Lewis)

    “Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.”
    —Ralph Waldo Emerson (1803–1882)