Willa Was Here - Production

Production

  • Producers: Josh Schwartz, Brian Kierulf, Michael D. Goodman (aka Sheppard), Kenny Gioia, Eve Nelson, Andy Marvel, Robert D. Fusari, Tim Kelley, Bob Robinson, Howie Hirsh, Robbie Nevil, Scott Ialacci, Anthony Acid
  • Executive producer: Willa Ford, Jason Flom, Andy Shane
  • Management: DAS Communications, Ltd.
  • Engineers: Eve Nelson, Tim Kelley, Bob Robinson, Stephen George, Kenny Gioia
  • Assistant engineers: Benjamin Jelen
  • Vocal engineers: Stephen George
  • Mix engineers: Manny Marriquin
  • Mixing: Rob Chiarelli, Michael D. Goodman, Kenny Gioia, Eve Nelson, Andy Marvel, Jim "Bonzai" Caruso, Robert D. Fusari, Bill Lee
  • Mixing assistants: Jay Nichlas
  • Mastering: Tom Coyne
  • A&R direction: Jason Flom, Andy Shane
  • A&R administration: Gregg Nadel
  • Programming: Josh Schwartz, Brian Kierulf, Eve Nelson, Andy Marvel, Robert D. Fusari, Falonte Moore, Tim Kelley
  • Drum programming: Kenny Gioia, Eve Nelson
  • Keyboard Programming: Darius Rustam
  • Pro Tools whiz: Alan Friedman
  • Vocal Production Effect: Cynthia Daniels
  • Arrangers: Andy Marvel
  • Vocal arrangement: Willa Ford, Jen Carr, Sabelle Breer
  • String arrangements: Josh Schwartz

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Famous quotes containing the word production:

    “The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
    —Karl Marx (1818–1883)

    “By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
    —Friedrich Engels (1820–1895)

    “An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
    —George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)