Plot
Ace, a wannabe rock star, is on his way to a concert of the band Guitar Wolf when space aliens invade the Earth. As a result the dead rise to their feet in the countryside setting of Asahi, Japan, with an appetite for flesh. Enlisting the help of his rock 'n roll blood brother Guitar Wolf, Ace and the members of the band get entangled in many misadventures with crazy rock managers in very tight shorts, transsexuals, naked women shooting guns in the shower, and bloodthirsty zombies ready to tear them apart. Leather jackets, loud over-modulated music, laser guitar picks, motorcycles, guns, muscle cars, and fire abound. Guitar Wolf, a Japanese trio signed to Matador Records in the US—and self-proclaimed coolest rock band in the world—star as the well-coiffed heroes. It is also a love story, between Ace and Tobio, a trans woman.
The music, in a garage punk vein, plays an important role in the film. It features music from Greg Cartwright of Reigning Sound and The Oblivians. His 1997 song "Twice as Deep" by Greg Oblivian & the Tip Tops is featured.
This film is similar to another movie by a Spanish punk group, La matanza caníbal de los garrulos lisérgicos produced by Siniestro Total (a punk band from Vigo, Spain)
Read more about this topic: Wild Zero
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)