The wild man (also wildman, or "wildman of the woods", archaically woodwose or wodewose) is a mythical figure that appears in the artwork and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to Silvanus, the Roman god of the woodlands.
The defining characteristic of the figure is its "wildness"; from the 12th century they were consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee vaults meet in the Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man. The image of the wild man survived to appear as supporter for heraldic coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–1528) among others.
Read more about Wild Man: Terminology, Origins, Medieval Representations, Post-medieval Reception, Interpretations
Famous quotes containing the words wild man, wild and/or man:
“Every modern male has, lying at the bottom of his psyche, a large, primitive being covered with hair down to his feet. Making contact with this Wild Man is the step the Eighties male or the Nineties male has yet to take. That bucketing-out process has yet to begin in our contemporary culture.”
—Robert Bly (b. 1926)
“Farm boys wild to couple
With anything with soft-wooded trees
With mounds of earthmounds
Of pine straw will keep themselves off
Animals by legends of their own:”
—James Dickey (b. 1923)
“A man that is ashamed of passions that are natural and reasonable is generally proud of those that are shameful and silly.”
—Mary Wortley, Lady Montagu (1689–1762)