Inspiration and Recording
In the liner notes to the 1993 Rolling Stones compilation album Jump Back, Jagger states, "Everyone always says this was written about Marianne but I don't think it was; that was all well over by then. But I was definitely very inside this piece emotionally." Keith says, "If there is a classic way of Mick and me working together this is it. I had the riff and chorus line, Mick got stuck into the verses. Just like "Satisfaction". "Wild Horses" was about the usual thing of not wanting to be on the road, being a million miles from where you want to be."
Originally recorded over a three-day period at Muscle Shoals Sound Studio in Alabama during 2–4 December 1969, the song was not released until over a year later due to legal wranglings with the band's former label. Along with "Brown Sugar", it is one of the two Rolling Stones compositions from Sticky Fingers over which Allen Klein co-owns the rights along with the Stones. It features session player Jim Dickinson on piano, Richards on electric guitar and 12-string acoustic guitar, and Mick Taylor on acoustic guitar. Taylor uses Nashville tuning, in which the EADG strings of the acoustic guitar are strung one octave higher. Ian Stewart was present at the session, but refused to perform the piano part on the track due to the prevalence of minor chords, which he disliked playing.
Read more about this topic: Wild Horses (The Rolling Stones Song)
Famous quotes containing the words inspiration and/or recording:
“As one knows the poet by his fine music, so one can recognise the liar by his rich rhythmic utterance, and in neither case will the casual inspiration of the moment suffice. Here, as elsewhere, practice must precede perfection.”
—Oscar Wilde (1854–1900)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)