Reception and Influence
Whitehouse are a key influence in the development of noise music as a musical genre in Europe, Japan, the US, and elsewhere. The early music of Whitehouse is often credited with pioneering the power electronics (a term Bennett himself coined on the blurb to the Psychopathia Sexualis album) and noise genres.
The band's 2003 album Bird Seed was eventually given an 'honourable mention' in the digital musics category of Austria's annual Prix Ars Electronica awards.
As Nick Cain of The Wire put it,
“ | By the end of the 1990s, power electronics was in a deep freeze. Fast forward a decade, and ... Whitehouse ... were enjoying an unlikely vogue, universally hailed by Noise makers from Peter Rehberg to Wolf Eyes ... and their work officially inducted into the avant garde canon through a collaboration with the German New Music ensemble Zeitkratzer. | ” |
Read more about this topic: Whitehouse (band)
Famous quotes containing the words reception and/or influence:
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.”
—Terri Apter (20th century)