Historical Origin: The French Revolution
The name derives from the traditional use of the colour white as a symbol of the Bourbon monarchy, as opposed to the red used by revolutionaries/republicans as in their Phrygian caps and red flag.
The original White Terror took place in 1794, during the turbulent times surrounding the French Revolution. It was organized by reactionary "Chouan" royalist forces in the aftermath of the Reign of Terror, and was targeted at the radical Jacobins and anyone suspected of supporting them. Throughout France, both real and suspected Jacobins were attacked and often murdered. Just like during the Reign of Terror, trials were held with little regard for due process. In other cases, gangs of youths who had aristocratic connections roamed the streets beating known Jacobins. These "bands of Jesus" dragged suspected revolutionaries from prisons and murdered them much as alleged royalists had been murdered during the September Massacres of 1792.
Again, in 1815, following the return of King Louis XVIII of France to power, people suspected of having ties with the governments of the French Revolution or of Napoleon suffered arrest and execution. Marshal Brune was killed in Avignon, and General Jean-Pierre Ramel was assassinated in Toulouse. These actions struck fear in the population, dissuading Jacobin and Bonapartist electors to vote for the ultras. Of 402 members, the first Chamber of the Restoration was composed of 350 ultra-royalists; the king himself thus named it the Chambre introuvable ("the Unobtainable Chamber"). The Chamber voted oppressive laws, sentencing to death Marshal Ney and general la Bédoyère, while 250 people were given prison sentences and some others exiled (Joseph Fouché, Lazare Carnot, Cambacérès).
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“Since the French Revolution Englishmen are all intermeasurable one by another, certainly a happy state of agreement to which I for one do not agree.”
—William Blake (1757–1827)
“It is hard to believe that England is so near as from your letters it appears; and that this identical piece of paper has lately come all the way from there hither, begrimed with the English dust which made you hesitate to use it; from England, which is only historical fairyland to me, to America, which I have put my spade into, and about which there is no doubt.”
—Henry David Thoreau (1817–1862)
“Central heating, French rubber goods, and cookbooks are three amazing proofs of man’s ingenuity in transforming necessity into art, and of these, cookbooks are perhaps most lastingly delightful.”
—M.F.K. Fisher (b. 1908)
“If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.”
—Leon Trotsky (1879–1940)