Recording and Production
The band rehearsed for one week and began recording at Easley-McCain Recording, in Memphis, Tennessee in February 2001. Meg White was initially hesitant to commence immediate recording, as she thought the songs were "too new." The album was recorded in less than four days, to try to keep it "as unorganized as possible," according to Jack. The record's quick production was intentional in order to get "a real tense" feeling, as well as capture the band's energy. The record was "rushed" and a final day was saved for mixing and mastering the record; this was the first White Stripes album to be mastered in the studio. It was the first time for the band recording in a 24-track recording studio, and Jack White asked recording engineer Stuart Sikes more than once "not to make it sound too good."
Read more about this topic: White Blood Cells (album)
Famous quotes containing the words recording and/or production:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)