A whipping boy was a young boy who was assigned to a young prince and was punished when the prince misbehaved or fell behind in his schooling. Whipping boys were established in the English court during the monarchies of the 15th century and 16th centuries. They were created because of the idea of the divine right of kings, which stated that kings were appointed by God, and implied that no one but the king was worthy of punishing the king’s son. Since the king was rarely around to punish his son when necessary, tutors to the young prince found it extremely difficult to enforce rules or learning.
Whipping boys were generally of high status, and were educated with the prince from birth. Because the prince and whipping boy grew up together they usually formed a strong emotional bond, especially since the prince usually did not have playmates as other children would have had. The strong bond that developed between a prince and his whipping boy dramatically increased the effectiveness of using a whipping boy as a form of punishment for a prince. The idea of the whipping boys was that seeing a friend being whipped or beaten for something that he had done wrong would be likely to ensure that the prince would not make the same mistake again.
Whipping boys were sometimes rewarded by the princes they served. King Charles I of England made his whipping boy, William Murray, the first Earl of Dysart in 1643 after he had been living in the palatial Ham House since 1626 under the request of King Charles I.
The children's book The Whipping Boy by Sid Fleischman, which is about a prince and his whipping boy, was the winner of the Newbery Medal in 1987. The Mark Twain novel, The Prince and the Pauper had a whipping boy character who, unaware that the prince is an imposter, helps him "relearn" the intricacies of court etiquette.
Famous quotes containing the words whipping and/or boy:
“In a novel a hero can lay ten girls and marry a virgin for a finish. In a movie this is not allowed. The hero, as well as the heroine, has to be a virgin. The villain can lay anybody he wants, have as much fun as he wants cheating and stealing, getting rich and whipping the servants. But you have to shoot him in the end.”
—Herbert Mankiewicz (1897–1953)
“Charles Eastman: There’s always a place at the plant for a boy like that.
Mrs. Eastman: But what are we going to do about him socially?
Earl Eastman: That’s easy. We can all leave town.”
—Michael Wilson (1914–1978)