Weta Digital - Film and Television Visual Effects Filmography

Film and Television Visual Effects Filmography

  • The Hobbit: There And Back Again (2014)
  • The Hobbit: The Desolation of Smaug (2013)
  • Iron Man 3 (2013)
  • Man of Steel - Filming (2013)
  • The Hobbit: An Unexpected Journey (2012)
  • Abraham Lincoln: Vampire Hunter (2012)
  • Prometheus (2012)
  • The Avengers (2012)
  • The Adventures of Tintin (2011)
  • Rise of the Planet of the Apes (2011)
  • X-Men: First Class (2011)
  • Gulliver's Travels (2010)
  • Predators (2010)
  • The A-Team (2010)
  • Avatar (2009)
  • The Lovely Bones (2009)
  • District 9 (2009)
  • The Day the Earth Stood Still (2008)
  • The Chronicles of Narnia: Prince Caspian (2008)
  • Jumper (2008)
  • 30 Days of Night (2007)
  • The Water Horse: Legend of the Deep (2007)
  • Fantastic Four: Rise of the Silver Surfer (2007)
  • Bridge to Terabithia (2007)
  • Eragon (2006)
  • X-Men: The Last Stand (2006)
  • King Kong (2005)
  • I, Robot (2004)
  • Van Helsing (2004)
  • The Lord of the Rings: The Return of the King (2003)
  • The Lord of the Rings: The Two Towers (2002)
  • The Lord of the Rings: The Fellowship of the Ring (2001)
  • Contact (1997)
  • The Frighteners (1996/I)
  • Forgotten Silver (1995) (TV)
  • Heavenly Creatures (1994)

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Famous quotes containing the words film, television, visual and/or effects:

    “A good film script should be able to do completely without dialogue.”
    —David Mamet (b. 1947)

    “Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
    —Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)

    “Nowadays people’s visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will.”
    —Robert Doisneau (b. 1912)

    “If one judges love according to the greatest part of the effects it produces, it would appear to resemble rather hatred than kindness.”
    —François, Duc De La Rochefoucauld (1613–1680)