Weta Digital - Film and Television Visual Effects Filmography

Film and Television Visual Effects Filmography

  • The Hobbit: There And Back Again (2014)
  • The Hobbit: The Desolation of Smaug (2013)
  • Iron Man 3 (2013)
  • Man of Steel - Filming (2013)
  • The Hobbit: An Unexpected Journey (2012)
  • Abraham Lincoln: Vampire Hunter (2012)
  • Prometheus (2012)
  • The Avengers (2012)
  • The Adventures of Tintin (2011)
  • Rise of the Planet of the Apes (2011)
  • X-Men: First Class (2011)
  • Gulliver's Travels (2010)
  • Predators (2010)
  • The A-Team (2010)
  • Avatar (2009)
  • The Lovely Bones (2009)
  • District 9 (2009)
  • The Day the Earth Stood Still (2008)
  • The Chronicles of Narnia: Prince Caspian (2008)
  • Jumper (2008)
  • 30 Days of Night (2007)
  • The Water Horse: Legend of the Deep (2007)
  • Fantastic Four: Rise of the Silver Surfer (2007)
  • Bridge to Terabithia (2007)
  • Eragon (2006)
  • X-Men: The Last Stand (2006)
  • King Kong (2005)
  • I, Robot (2004)
  • Van Helsing (2004)
  • The Lord of the Rings: The Return of the King (2003)
  • The Lord of the Rings: The Two Towers (2002)
  • The Lord of the Rings: The Fellowship of the Ring (2001)
  • Contact (1997)
  • The Frighteners (1996/I)
  • Forgotten Silver (1995) (TV)
  • Heavenly Creatures (1994)

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Famous quotes containing the words film, television, visual and/or effects:

    “The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
    —Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    “Anyone afraid of what he thinks television does to the world is probably just afraid of the world.”
    —Clive James (b. 1939)

    “The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
    —Camille Paglia (b. 1947)

    “Consider what effects which might conceivably have practical bearings we conceive the object of our conception to have. Then our conception of these effects is the whole of our conception of the object.”
    —Charles Sanders Peirce (1839–1914)