Weta Digital - Film and Television Visual Effects Filmography

Film and Television Visual Effects Filmography

  • The Hobbit: There And Back Again (2014)
  • The Hobbit: The Desolation of Smaug (2013)
  • Iron Man 3 (2013)
  • Man of Steel - Filming (2013)
  • The Hobbit: An Unexpected Journey (2012)
  • Abraham Lincoln: Vampire Hunter (2012)
  • Prometheus (2012)
  • The Avengers (2012)
  • The Adventures of Tintin (2011)
  • Rise of the Planet of the Apes (2011)
  • X-Men: First Class (2011)
  • Gulliver's Travels (2010)
  • Predators (2010)
  • The A-Team (2010)
  • Avatar (2009)
  • The Lovely Bones (2009)
  • District 9 (2009)
  • The Day the Earth Stood Still (2008)
  • The Chronicles of Narnia: Prince Caspian (2008)
  • Jumper (2008)
  • 30 Days of Night (2007)
  • The Water Horse: Legend of the Deep (2007)
  • Fantastic Four: Rise of the Silver Surfer (2007)
  • Bridge to Terabithia (2007)
  • Eragon (2006)
  • X-Men: The Last Stand (2006)
  • King Kong (2005)
  • I, Robot (2004)
  • Van Helsing (2004)
  • The Lord of the Rings: The Return of the King (2003)
  • The Lord of the Rings: The Two Towers (2002)
  • The Lord of the Rings: The Fellowship of the Ring (2001)
  • Contact (1997)
  • The Frighteners (1996/I)
  • Forgotten Silver (1995) (TV)
  • Heavenly Creatures (1994)

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Famous quotes containing the words film and, film, television, visual and/or effects:

    “The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
    —Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    “Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
    —David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    “... there is no reason to confuse television news with journalism.”
    —Nora Ephron (b. 1941)

    “For women ... bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can’t possibly fit. Without these visual references, each individual woman’s body demands to be accepted on its own terms. We stop being comparatives. We begin to be unique.”
    —Gloria Steinem (b. 1934)

    “Each of us, even the lowliest and most insignificant among us, was uprooted from his innermost existence by the almost constant volcanic upheavals visited upon our European soil and, as one of countless human beings, I can’t claim any special place for myself except that, as an Austrian, a Jew, writer, humanist and pacifist, I have always been precisely in those places where the effects of the thrusts were most violent.”
    —Stefan Zweig (18811942)