Weta Digital - Film and Television Visual Effects Filmography

Film and Television Visual Effects Filmography

  • The Hobbit: There And Back Again (2014)
  • The Hobbit: The Desolation of Smaug (2013)
  • Iron Man 3 (2013)
  • Man of Steel - Filming (2013)
  • The Hobbit: An Unexpected Journey (2012)
  • Abraham Lincoln: Vampire Hunter (2012)
  • Prometheus (2012)
  • The Avengers (2012)
  • The Adventures of Tintin (2011)
  • Rise of the Planet of the Apes (2011)
  • X-Men: First Class (2011)
  • Gulliver's Travels (2010)
  • Predators (2010)
  • The A-Team (2010)
  • Avatar (2009)
  • The Lovely Bones (2009)
  • District 9 (2009)
  • The Day the Earth Stood Still (2008)
  • The Chronicles of Narnia: Prince Caspian (2008)
  • Jumper (2008)
  • 30 Days of Night (2007)
  • The Water Horse: Legend of the Deep (2007)
  • Fantastic Four: Rise of the Silver Surfer (2007)
  • Bridge to Terabithia (2007)
  • Eragon (2006)
  • X-Men: The Last Stand (2006)
  • King Kong (2005)
  • I, Robot (2004)
  • Van Helsing (2004)
  • The Lord of the Rings: The Return of the King (2003)
  • The Lord of the Rings: The Two Towers (2002)
  • The Lord of the Rings: The Fellowship of the Ring (2001)
  • Contact (1997)
  • The Frighteners (1996/I)
  • Forgotten Silver (1995) (TV)
  • Heavenly Creatures (1994)

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Famous quotes containing the words film, television, visual and/or effects:

    “A film is a petrified fountain of thought.”
    —Jean Cocteau (1889–1963)

    “In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
    —New Yorker (April 23, 1990)

    “Nowadays people’s visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will.”
    —Robert Doisneau (b. 1912)

    “Consider what effects which might conceivably have practical bearings we conceive the object of our conception to have. Then our conception of these effects is the whole of our conception of the object.”
    —Charles Sanders Peirce (1839–1914)