Radio
- 1LIVE (formerly styled L1VE: Radio Eins Live) is a popular music channel modelled on BBC Radio 1 and aimed at a young audience. Its schedules include such non-mainstream night-time programmes as "Heimatkult", focusing on pop music from Germany, and "Lauschangriff", a series of audio-books.
- WDR 2 (motto: Der Sender, "The Station") focuses strongly on national and regional news and current affairs, together with adult-oriented popular music as well as sports.
- WDR 3, the cultural channel, offers mostly classical, jazz and world music as well as radio drama and spoken-word features covering literature and the performing arts.
- WDR 4 (motto: Schönes bleibt, "The beautiful endures") is principally oriented towards an older audience. The channel specializes in traditional and modern tuneful German-language music.
- WDR 5 (previously WDR Radio 5) offers spoken-word programming with the focus on present-day culture and society.
- Funkhaus Europa 103,3: previously WDR 5 Funkhaus Europa (an offshoot of WDR 5) and now a joint Radio Bremen / WDR production, this channel, which features a wide selection of world music, is principally directed at immigrants and aims to promote integration. It is not available over-the-air in every part of WDR's broadcasting area.
WDR's radio programmes are available on FM and digital, as well as via cable and satellite. In addition WDR 2 is broadcast on two AM frequencies, 720 and 774 kHz, which provide extended road traffic announcements and opt-out coverage of parliamentary debates.
Except on Sundays and public holidays, 1LIVE, WDR 2, and WDR 4 carry a limited amount of paid-for commercial advertising during the daytime.
WDR also produces a number of experimental digital radio channels, which are mostly variations on 1LIVE and WDR2.
Read more about this topic: Westdeutscher Rundfunk
Famous quotes containing the word radio:
“All radio is dead. Which means that these tape recordings Im making are for the sake of future history. If any.”
—Barré Lyndon (18961972)
“There was a girl who was running the traffic desk, and there was a woman who was on the overnight for radio as a producer, and my desk assistant was a woman. So when the world came to an end, we took over.”
—Marya McLaughlin, U.S. television newswoman. As quoted in Women in Television News, ch. 3, by Judith S. Gelfman (1976)
“A bibulation of sports writers, a yammer of radio announcers, a guilt of umpires, an indigence of writers.”
—Walter Wellesley (Red)