Plot
The story revolves around the eventual discovery of the American continents by the Yilané, who are searching for new resources and territories for colonization. Being reptiloid and cold-blooded, they target tropical and sub-tropical zones.
Eventually, of course, they encounter the humanoids, whom they regard as barely sentient animals. Humans, in their turn, are xenophobically terrified of the Yilané. As the winters become colder the Tanu are forced to travel south into warmer climates to hunt, onto Yilané territory. It is not long before a state of conflict exists between the two species.
The central characters are Vaintè, an ambitious Yilané; Stallan, her vicious and obedient adjutant; and Kerrick, a "ustouzou" (the Yilané word for mammal) who is captured by the reptiloids as a boy, and raised as a Yilané. Kerrick eventually escapes to rejoin his own people, ultimately becoming a leader. Another notable Yilanè character is Enge, the leader of a faction of pacifist Yilané who reject the militaristic and violent attitudes of their culture. This group is violently opposed by most other Yilané, especially Vaintè. Enge befriends Kerrick, and acts as his teacher, while he lives with the Yilané.
After Kerrick escapes he joins other human tribes and after a journey over the mountains, being pursued all the while by Vaintè, who wants nothing more than the absolute destruction of the ustouzou. After a number of victories, Kerrick realises that despite the losses inflicted upon the Yilané, the Yilané will never stop pursuing them. Kerrick organises an expedition back to the Yilané city of Alpèasak where he was held as a boy, and burns it down. The American continent is freed of the Yilané.
Read more about this topic: West Of Eden
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)