Biography
Irvine, an African American, was born in Hampton, Virginia on October 27, 1943. He moved to New York City in 1965. He was involved with various musical genres including Jazz-Funk, jazz, hip hop, funk, rhythm and blues, and gospel. He served as the bandleader for jazz singer Nina Simone and was a mentor to many New York hip-hop artists, including Q-Tip and Mos Def. He wrote over 500 songs, including the lyrics for "To Be Young, Gifted, and Black", performed live for the first time by Nina Simone on the album Black Gold (1970). It has been dubbed the "official" Civil Rights anthems.
In 2000 Irvine provided the vocal intoductions to tracks on the first CD of the album Late Night Blues by UK Drum & Bass producer Big Bud. He co-wrote and performed vocals and played the Fender Rhodes on the first track entitled Return of Spiritman. He also played the Fender Rhodes on closing track Persian Blues.
Irvine's last major project was The Price of Freedom (1999), a compilation of original songs by hip-hop, jazz, funk, and R&B artists to respond to the shooting of Amadou Diallo. Irvine committed suicide outside of EAB Plaza and in front of the Nassau Coliseum located in Uniondale, New York on April 9, 2002.
In 2003, Madlib, Mr. Dibbs and Breakestra produced a tribute to Weldon Irvine, "Suite for Weldon". The following year, Madlib released the full length album A Tribute to Brother Weldon.
Read more about this topic: Weldon Irvine
Famous quotes containing the word biography:
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)
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—Rebecca West (1892–1983)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)