Music Video
Gerald Scarfe created a music video, initially a backdrop film for when the band played the track on its 1977 In the Flesh tour. The fanciful video begins with a giant mechanical beast; a cross between a Triceratops and an armadillo (similar to the creature on the cover of Emerson, Lake & Palmer's Tarkus). The creature slowly lumbers across an apocalyptic cityscape. The scene then shifts to show emaciated rats leaping around corpse-laden steel girders. Gleaming industrial smokestacks soon fade in, and disturbingly crack and ooze blood. A view of a barren desert is then immediately shown. In the background a small tower grows out of this desert, but then transforms into a screaming monster, which stops to pant for a few seconds before viciously decapitating an unsuspecting man in the foreground. His head then very slowly decays to a damaged skull as the sun sets. Finally, an ocean of blood washes away this scene, and the waves turn into thousands of hands waving in rhythm to the music (much like people at a rock concert). All of the surrounding buildings are swept away; except one. Despite being pulled at by the bloody masses, it survives and, synchronising with the sound effects at the end of the track, flies up and away, high above the clouds to where it fits snugly into a hole inside a gargantuan floating ovoid structure.
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Famous quotes containing the words music and/or video:
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)