Aesthetic and Philosophical Principles
Similar to the binarity noted above is Schiller's treatment of Formtrieb (“formal drive”) and Stofftrieb (“material drive”) when the two, which were inspired by Kant's various critiques, via reciprocal coordination—in a “proto-Hegelian” dialectical fashion—give birth to Spieltrieb (“ludic drive”), that is to say, the aesthetic par excellence. Schiller's elementary attitude toward art is given in “What Difference Can a Good Theatrical Stage Actually Make?” (1784):
should remain play, but also be poetic play. All art is dedicated to joy, and there is no higher and more serious task than of making people happy. The highest enjoyment, however, is the freedom of the inner life of feeling in the living play of all of its powers.
Read more about this topic: Weimar Classicism
Famous quotes containing the words aesthetic and/or principles:
“... it was religion that saved me. Our ugly church and parochial school provided me with my only aesthetic outlet, in the words of the Mass and the litanies and the old Latin hymns, in the Easter lilies around the altar, rosaries, ornamented prayer books, votive lamps, holy cards stamped in gold and decorated with flower wreaths and a saint’s picture.”
—Mary McCarthy (1912–1989)
“It must appear impossible, that theism could, from reasoning, have been the primary religion of human race, and have afterwards, by its corruption, given birth to polytheism and to all the various superstitions of the heathen world. Reason, when obvious, prevents these corruptions: When abstruse, it keeps the principles entirely from the knowledge of the vulgar, who are alone liable to corrupt any principle or opinion.
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—David Hume (1711–1776)