Reception
Contemporary reviews of the record call it "far-out" (Billboard, August 29, 1970) and a "random collection of editing room snippets recorded at the Mothers' concerts" (Rolling Stone, October 1, 1970). Now placed in its historical context, modern reviewers tend to appreciate it more critically. A typical example of such appreciation is Christgau's Record Guide (from 1981), which grades the album a B+. In a retrospective review, Allmusic gave it 4.5 stars out of 5, calling it a "fascinating collection", and stating that "Zappa's anything-goes approach and the distance between his extremes are what make Weasels Ripped My Flesh ultimately invigorating" In his book Viva Zappa!, Dominique Chevalier wrote that the album is "one of Zappa's most aggressively bizarre works, full of cross-references to free jazz and modern classical musicians such as Luciano Berio. He also said that the best piece was undoubtedly "Eric Dolphy Memorial Barbecue", calling it "the cleverest tribute that could have been paid to him".
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Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.”
—Ralph Waldo Emerson (1803–1882)