Description
Water hyacinth is a free-floating perennial aquatic plant(or hydrophyte) native to tropical and sub-tropical South America. With broad, thick, glossy, ovate leaves, water hyacinth may rise above the surface of the water as much as 1 meter in height. The leaves are 10–20 cm across, and float above the water surface. They have long, spongy and bulbous stalks. The feathery, freely hanging roots are purple-black. An erect stalk supports a single spike of 8-15 conspicuously attractive flowers, mostly lavender to pink in colour with six petals. When not in bloom, water hyacinth may be mistaken for frog's-bit (Limnobium spongia).
One of the fastest growing plants known, water hyacinth reproduces primarily by way of runners or stolons, which eventually form daughter plants. It also produces large quantities of seeds, and these are viable up to thirty years. The common water hyacinth (Eichhornia crassipes) are vigorous growers known to double their population in two weeks.
In Assamese they are known as Meteka. In Sinhala they are known as Japan Jabara (ජපන් ජබර) due to their use in World War II to fool Japanese pilots into thinking lakes were fields usable to land their aircraft, leading to crashes. In Burmese they are known as Baydar. In Bangladesh and West Bengal, they are known as kochuripana.
In Southern Pakistan, they are the provincial flower of Sindh (Unofficial).
Read more about this topic: Water Hyacinth
Famous quotes containing the word description:
“He hath achieved a maid
That paragons description and wild fame;
One that excels the quirks of blazoning pens.”
—William Shakespeare (1564–1616)
“Once a child has demonstrated his capacity for independent functioning in any area, his lapses into dependent behavior, even though temporary, make the mother feel that she is being taken advantage of....What only yesterday was a description of the child’s stage in life has become an indictment, a judgment.”
—Elaine Heffner (20th century)
“The great object in life is Sensation—to feel that we exist, even though in pain; it is this “craving void” which drives us to gaming, to battle, to travel, to intemperate but keenly felt pursuits of every description whose principal attraction is the agitation inseparable from their accomplishment.”
—George Gordon Noel Byron (1788–1824)