Washington National Opera - The Opera Society of Washington

The Opera Society of Washington

The Washington National Opera was established in 1957 as the Opera Society of Washington by Day Thorpe, the music critic of the now defunct Washington Star, but then the most influential Washington newspaper of its day. Paul Callaway, the choirmaster and organist of the Washington National Cathedral, was its first music director. Together, the two set out to seek funding and they found support from Gregory and Peggy Smith who provided $10,000 as seed money for a production of Mozart's Die Entführung aus dem Serail which would be performed following the end of their summer season (which Calloway conducted) by the Washington Symphony Orchestra.

Characteristic of Thorpe and Calloway's early years was a rejection of cuts to the scores, a rejection of opera in English, and a rejection of expensive scenery as well as of "fat sopranos" and "self-centered tenors".

The pair set out to seek a new public and, beginning with the first production of Die Entführung on 31 January 1957, the company presented opera in George Washington University's Lisner Auditorium, albeit a small venue with limited facilities. However, as one critic noted: "There was no 'company' in the literal sense. Each production had to be conceived, planned, and arranged individually, and financial support had to be scraped up opera by opera. Improvisation was the order of the day".

Read more about this topic:  Washington National Opera

Famous quotes containing the words opera, society and/or washington:

    I wish the opera was every night. It is, of all entertainments, the sweetest and most delightful. Some of the songs seemed to melt my very soul.
    Frances Burney (1752–1840)

    The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.
    Debbie Taylor (20th century)

    ... Washington was not only an important capital. It was a city of fear. Below that glittering and delightful surface there is another story, that of underpaid Government clerks, men and women holding desperately to work that some political pull may at any moment take from them. A city of men in office and clutching that office, and a city of struggle which the country never suspects.
    Mary Roberts Rinehart (1876–1958)