Some Common Words and Phrases
Below are examples of the Waray spoken in Metropolitan Tacloban and the nearby areas:
- Good morning (noon/afternoon/evening): Maupay nga aga (udto/kulop/gab-i)
- Good day: Maupay nga adlaw
- Can you understand Waray?: Nakakaintindi/Nasabut ka/Nakainchindi ka hin Winaray? (hin or hito)
- Thank you: Salamat
- I love you: Hinihigugma ko ikaw or Ginhihigugma ko ikaw or Pina-ura ta ikaw
- I don't care: "Baga saho" or "Waray ko labot" or baga labot ko
- Where are you from? : Taga diin ka? or Taga nga-in ka? or Taga ha-in ka?
- How much is this? : Tag pira ini?
- I can't understand: Diri ako nakakaintindi/Nakaichindi or Di ak Naabat
- I don't know: Diri ako maaram or Ambot
- What: Ano
- Who: Hin-o
- Where: Hain
- When (future): San-o
- When (past): Kakan-o
- Why: Kay-ano
- How: (past) Gin-aano?
- How: (present) A-anhon
- Yes: Oo
- No: Dire or Diri
- There: Adto or Didto or Ngad-to
- Here: Didi or Nganhi
- Front or in front: Atubang or Atubangan
- Night: Gab-i
- Day: Adlaw
- Afternoon: Kulop
- Nothing: Waray
- Good: Maopay
- Boy: Lalaki
- Bisexual: Silahis
- Girl: Babayi
- Gay:Bayot
- Lesbian: Tomboi/Lesbyana
- Who are you?: Hin-o ka?
- I'm a friend: Sangkay ako.
- It's very hot now: Kakapaso hin duro yana.
- I'm lost here: Nawawara ako didi.
- Maybe: Kunta or Bangin
- Now: yana
- Yesterday: Kakulop
- How are you: Kumusta or Kumusta ka
Read more about this topic: Waray-Waray Language
Famous quotes containing the words common, words and/or phrases:
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“I saw
without words within me, saw
as if my eyes
had grown bigger and knew
how to look without
being told what it was they saw.”
—Denise Levertov (b. 1923)
“It is a necessary condition of ones ascribing states of consciousness, experiences, to oneself, in the way one does, that one should also ascribe them, or be prepared to ascribe them, to others who are not oneself.... The ascribing phrases are used in just the same sense when the subject is another as when the subject is oneself.”
—Sir Peter Frederick Strawson (b. 1919)