Waltz For Debby (1961 Album) - Reception

Reception

Professional ratings
Review scores
Source Rating
All About Jazz (no rating)
Allmusic
Penguin Guide to Jazz

This album is widely considered to be one of the best in the Evans canon, and the type of emotive interplay between the musicians that at some points seemed almost deconstructed has served as a model for piano trio play.

Writing for Allmusic, music critic Thom Jurek wrote of the album: "While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates... Of the many recordings Evans issued, the two Vanguard dates and Explorations are the ultimate expressions of his legendary trio." Samuel Chell of All About Jazz wrote "Along with Bassist wunderkind Scott LaFaro and drummer Paul Motian, Evans perfected his democratic vision of trio cooperation, where all members performed with perfect empathy and telepathy... It is these performances, currently available as Sunday at The Village Vanguard and Waltz for Debby that comprise the number one best jazz live recording in this present series."

Read more about this topic:  Waltz For Debby (1961 Album)

Famous quotes containing the word reception:

    “To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
    —Lewis H. Lapham (b. 1935)

    “But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
    —Walter Pater (1839–1894)

    “Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
    —Jonathan Swift (1667–1745)