Walthamstow in Popular Music
The artwork for Blur's Parklife album featured photos of the band at Walthamstow Stadium.
Walthamstow was home to the popular 1990s boy band East 17, who named themselves after the area's postal code E17, and titled their debut album "Walthamstow".
Walthamstow is also home to The Bevis Frond.
Recording artist Jimmy Ray was born in Walthamstow on 3 October, 1970. He grew up in the Lloyd Park area and attended Winns primary, and Sidney Chaplin and McEntee secondary schools. In the early 1990s Ray performed at various E17 venues, including the Royal Standard, as part of local pop group 'The Cutting Room'. Ray later went on to score solo hits in the UK and US.
The indie rock band The Rifles are from Walthamstow.
Walthamstow is a major centre in London's grime music scene, with many bedroom studios and underground music enterprises. Artists include the likes of Lethal Bizzle and his band Fire Camp.
The Bromheads Jacket song "Poppy Bird" references Walthamstow in the chorus.
Walthamstow is mentioned in the Paul McCartney and Wings song Old Siam, Sir from the 1979 album Back to the Egg.
"Long ago, outside a chip shop in Walthamstow" is the first line of a song named "Ann and Joe", recorded by The Barron Knights in the late 1970s. This was a spoof of "Long ago, high on a mountain in Mexico", the opening words of Angelo, which was a UK number one hit in 1977 for Brotherhood of Man.
"Waiting in Walthamstow" is a song by The Cranberries from the album Roses.
Read more about this topic: Walthamstow
Famous quotes containing the words popular music, popular and/or music:
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.”
—Ralph Waldo Emerson (1803–1882)
“All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it.”
—Jean Cocteau (1889–1963)