In Popular Culture
The character was played by Danny Kaye in the 1947 film version. Thurber opposed the 1947 production. A new Walter Mitty remake is scheduled for release in 2013, directed by and starring Ben Stiller. Samuel Goldwyn Jr. and John Goldwyn produced the picture, while John Bard Manulis and Richard Vane served as executive producers.
Walter Mitty is referenced in the lyrics to the songs "T&P Combo" by 311, "Vacation" by Alabama, "Sex and Drugs and Rock 'n' Roll" by Ian Dury, "Kitty Ricketts" by Radiator, "In The City" by Madness, "Dreams" by The Descendents, "Walter Mitty Blues" by The Meteors, "All Dressed Up For San Francisco" by The Philosopher Kings, "Silver Bird" by Mark Lindsay, and "Sammy Davis City" by Joe Strummer and Brian Setzer. In 2008, the popular band Walter Mitty and His Makeshift Orchestra emerged; they have released two albums.
The official Peanuts website describes the character of Snoopy as "... an extroverted Beagle with a Walter Mitty complex", a reference to the many fantasy segments in which Snoopy imagines he is a World War I flying ace battling the Red Baron. The children's television programme The Secret Lives of Waldo Kitty parodied the story as well as many others, with a mix of live footage and animation featuring anthropomorphic animals.
Author William Gibson in his novel Zero History uses the term "Mitty demographic" to describe young men that want to dress like soldiers and have an "equipment fetishism" for products that are derived from police and military equipment.
Read more about this topic: Walter Mitty
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“If our entertainment culture seems debased and unsatisfying, the hope is that our children will create something of greater worth. But it is as if we expect them to create out of nothing, like God, for the encouragement of creativity is in the popular mind, opposed to instruction. There is little sense that creativity must grow out of tradition, even when it is critical of that tradition, and children are scarcely being given the materials on which their creativity could work”
—C. John Sommerville (20th century)
“Our culture still holds mothers almost exclusively responsible when things go wrong with the kids. Sensing this ultimate accountability, women are understandably reluctant to give up control or veto power. If the finger of blame was eventually going to point in your direction, wouldn’t you be?”
—Ron Taffel (20th century)