Bridges
Four road bridges cross the former Wallasey Pool, over what is now Birkenhead Docks:
Egerton Bridge is situated between Egerton Dock and Morpeth Dock and is a bascule bridge. It was built between 1928 and 1931, replacing an earlier hydraulic swing bridge. The bridge and the machine house were completely restored in 1993 and opened to the public in 1995.
A red girdered bascule bridge at Tower Road connects the Seacombe district of Wallasey with Birkenhead. Known as the Four Bridges, as originally four movable bridges existed along Tower Road: two between the Great Float and Alfred Dock, one between the Great Float and Wallasey Dock and one between the Great Float and Egerton Dock. When originally built, all four were hydraulic swing bridge types. In the 1930s most were replaced by bascule bridges.
Joining the southern end of the Poulton district of Wallasey with the north end of Birkenhead, Duke Street bridge is also a bascule (see-saw) bridge but with painted green girders. Originally, it was also a swing bridge.
Furthest upstream is the Penny Bridge, which crosses the head of the pool to connect Poulton with Bidston in Birkenhead. Replacing an earlier wooden bridge of 1843, the name derives from the 1896 one penny toll to cross in one direction. The bridge was replaced again in 1926 and provided access to Bidston Dock. The dock itself has been filled in and the bridge was replaced by a fixed roadway in 1996.
Read more about this topic: Wallasey Pool
Famous quotes containing the word bridges:
“We live technologically, with man as the master of nature, man as the engineer, and let anyone who raises his voice against it stop using bridges not built by nature.... No electric light bulbs, no engines, no atomic energy, no calculating machines, no anaesthetics—back to the jungle.”
—Max Frisch (1911–1991)
“When Death to either shall come—
I pray it be first to me.”
—Robert Bridges (1844–1930)
“If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.”
—Leon Trotsky (1879–1940)