Plot
Pusser, at his wife Pauline's behest, retires from the professional wrestling ring and moves back to Tennessee to start a logging business with his father, Carl Pusser. With a friend, he visits a gambling and prostitution establishment, the Lucky Spot, and is beaten up after catching them cheating at craps. Pusser is seriously injured with a knife and receives over 200 stitches. He complains to the sheriff but is ignored, and soon becomes aware of the rampant corruption in McNairy County. Pusser decides to clean up the county and runs for sheriff. Buford Pusser wins, and becomes famous for being incorruptible, intolerant of crime, and for his array of four foot hickory clubs which he uses to great effect in dispatching criminals and destroying their clandestine gambling dens and illegal distilleries.
Some residents praise Buford Pusser as an honest cop in a crooked town; others denounce him as a bully willing to break some laws to uphold others. Pusser is attacked several times, and finally he and Pauline are ambushed in their car. Pauline is killed and Pusser is seriously injured. He is admitted to the hospital after being shot and while still in a neck and face cast, rams a sheriff cruiser through the front doors of the Lucky Spot, killing two of his would-be assassins.
As he leaves with two deputies, the townspeople arrive and begin throwing the gambling tables out into the parking lot. They light a bonfire as an overwhelmed Pusser wipes tears from his eyes.
Read more about this topic: Walking Tall
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)