Waddesdon Manor in Film and Television
Several films have been shot at Waddesdon Manor, including the Carry On film Don't Lose Your Head, the Indian film Kabhi Khushi Kabhi Gham and in 2006 The Queen, in which interiors and the gardens doubled for Buckingham Palace. Waddesdon Manor has been used in several television series. The house stood in for the exterior of the fictional Haxby Park in the second season of Downton Abbey (the interior was filmed at Halton House) when Mary and Sir Richard intend to marry and so look for a house in which they wish to live in, and as Snow White's and Prince Wendell's castle in the TV mini-series The Tenth Kingdom. In the latter series, Computer-generated imagery was used to make Waddeston look larger. It was used as the O'Connell family's home in the film The Mummy: Tomb of the Dragon Emperor, and as the front part of the 'Hotel du Triomphe' in Sherlock Holmes: A Game of Shadows.
Read more about this topic: Waddesdon Manor
Famous quotes containing the words film and television, film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“In full view of his television audience, he preached a new religionor a new form of Christianitybased on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)