W. S. Van Dyke - Career

Career

He came to be known as "One Take Woody" or "One Take Van Dyke", for the speed with which he would complete his assignments, and although not regarded as one of the screen's most talented directors, MGM regarded him as one of the most versatile, equally at home directing costume dramas, westerns, comedies, crime melodramas and musicals. Many of his films were huge hits and top box office in any given year. He received Academy Award for Best Director nominations for The Thin Man (1934) and San Francisco (1936). He also directed the Oscar winning classic "Eskimo/Mala the Magnificent", in which he also has a featured acting role.

His other films include the island adventure White Shadows in the South Seas (1928), it's follow up The Pagan(1929), Trader Horn (1931) filmed almost entirely in Africa, Tarzan the Ape Man (1932), Manhattan Melodrama (1934), and Marie Antoinette (1938). He is perhaps best remembered for directing Myrna Loy and William Powell in four Thin Man films: The Thin Man (1934), After the Thin Man (1936), Another Thin Man (1939) and Shadow of the Thin Man (1941); and Jeanette MacDonald and Nelson Eddy in six of their greatest hits, Naughty Marietta (1935), Rose-Marie (1936), Sweethearts (1938), New Moon (1940) (uncredited because halfway through filming Robert Z. Leonard took over), Bitter Sweet (1940) and I Married an Angel (1942).

The earthquake sequence in San Francisco is considered one of the best special-effects sequences ever filmed. To help direct, Van Dyke called upon his early mentor, D.W. Griffith, who had fallen on hard times. Van Dyke was also known to hire old-time, out-of-work actors as extras; because of his loyalty he was much beloved and admired in the industry.

Van Dyke was known for allowing ad-libbing (that remained in the film) and for coaxing natural performances from his actors. He made stars of Nelson Eddy, James Stewart, Myrna Loy, Johnny Weissmuller, Maureen O'Sullivan, Eleanor Powell, Ilona Massey and Margaret O'Brien. He was often called in to work a few days (or more), uncredited, on a film that was in trouble or had gone over production schedule.

Promoted to Major prior to World War II, the patriotic Van Dyke set up a Marines recruiting center in his MGM office. He was one of the first Hollywood bigwigs to advocate early U.S. involvement, and he convinced stars like Clark Gable, James Stewart, Robert Taylor and Nelson Eddy to become involved in the war effort.

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