Plot
At the start of the series, Ito Miura meets the beautiful transfer student Makoto Amano, and the girls become instant friends. Their personalities are completely different—Makoto is calm, quiet, and beautifully feminine, while Ito speaks, dresses, and behaves like a boy—but they share the same dream: becoming an actor. As soon as Makoto gets on stage at the drama club, it is clear she has talent, enough so she is cast as Juliet in the up-coming production of Romeo and Juliet, opposite Ito as Romeo. However, Makoto has a rival for the role in Tsugumi Nomura, an upperclassman who is obsessed with the boyish Ito. Worse, Ito learns Makoto's secret: "she" is actually a "he". Makoto's strict father wants him to inherit the family dojo, and made a bet with his son—if Makoto shows he has the skill to pose as a female for his last two years of high school, he can become an actor as he wishes, but if anyone discovers his gender, he must stay home and accept the dojo. Ito agrees to keep Makoto's secret so that he could continue with his dream.
The series follows Ito and Makoto during their last two years of high school, as they work to improve their acting and keep Makoto's secret. They start out just as friends, but continue as boyfriend and girlfriend. One of the obstacles they must face is keeping their relationship a secret from their family and friends, both because of Makoto's assumed gender and it would expose his secret. They must also worry about Makoto's jealous arranged fiancée, Takayo, and her brother, who has a strong sister complex, and Ito's various suitors. All the while, the drama club performs various plays, some of which are essential to demonstrating Makoto's acting skill to his father.
Read more about this topic: W Juliet
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)