Production
Douglas is a controversial figure amongst Hendrix fans, as on his previous releases he had heavily edited and re-mixed most tracks, wiped the original backing tracks and brought in musicians who had never worked with Hendrix to overdub new backing vocals (where none existed previously), drum, bass, rhythm guitar and even some lead guitar parts. He then claimed co-composer rights for several of these tracks. For the production of this album, two tracks' drum parts were overdubbed by Bruce Gary of The Knack, "Room Full of Mirrors" and "Stepping Stone". Most of the tracks on this album were released - in one form or another - on the Jeffery, Kramer and Mitchell produced LP's: Cry of Love, Rainbow Bridge and War Heroes, (these tracks were later released on First Rays of the New Rising Sun) or on South Saturn Delta, with the exception of the instrumentals "The New Rising Sun" and "Peace in Mississippi". A portion of the instrumental released on this album as "The New Rising Sun" can be heard in the song "Captain Coconut" on the Crash Landing album, originally released in 1975. The version of "Peace In Mississippi" included on Voodoo Soup is the original version of the song (although in edited form), as recorded by Hendrix, drummer Mitch Mitchell and bassist Noel Redding in 1968, and different from the version of "Peace In Mississippi" included on Crash Landing, in which Mitchell and Redding's contributions were supplanted by overdubbed drum and bass parts performed by other musicians in 1975; the version on Crash Landing also included overdubbed guitar and percussion parts performed in 1975. In addition, the version on Voodoo Soup is about a minute longer than the one on Crash Landing The version of "Peace In Mississippi" included on the "Valleys of Neptune" CD single that was sold exclusively at Walmart has the uneditied version of the song.
Read more about this topic: Voodoo Soup
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)
“The society based on production is only productive, not creative.”
—Albert Camus (1913–1960)