Return To Visual Arts
The siren song of MADI called again. All of Roitman’s frenzied activity gradually gelled into an enduring passion for a particular style of architectural sculpture where each morsel of his past experience found its niche. Starting with a two-dimensional surface and using only a box-cutter and his own dexterity, he arrived at three-dimensionality – complex abstract sculpture pieces formed from a single sheet of paper. On the surface, this cutout and folded work from the early 80s and 90s might seem a derivative of Japanese origami, but in reality its complex and whimsical nature is closer to children’s pop-up books of the Victorian era.
The magic of laser cutting soon led to metal sculptures so delicately and intricately delineated that they were often mistaken for the paper collages that had preceded them ten years before. Roitman’s obsessions with asymmetry and the ludico whimsical also found their way into MADI new concepts that he kept mastering. This led to the kinetic pieces he showed at the Leepa-Rattner Museum of Art in 2002 and 2006…rotational towers and mural works, as geometric in form as sea anemones, swaying and grasping to the rhythm of unseen currents while curious organic parts open and close…The spectator has no need to walk around these sculptures; every facet will be revealed as color-drenched undulating forms change with each 360 degree turn the piece.
Roitman’s interests in literature, cinema and politics also came together in his newest Project – large MADI “books” dedicated to The Celebration of Dissent, with Mae West and Groucho Marx sharing places of honor with other revolutionaries – the serious and the less so.”
Read more about this topic: Volf Roitman
Famous quotes containing the words return to, return, visual and/or arts:
“... one cannot be happy in exile or in oblivion. One cannot always be a stranger. I want to return to my homeland, make all my loved ones happy. I see no further than this.”
—Albert Camus (1913–1960)
“The soul establishes itself.
But how far can it swim out through the eyes
And still return safely to its nest?”
—John Ashbery (b. 1927)
“Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.”
—John Berger (b. 1926)
“But here comes Generosity; giving—not to a decayed artist—but to the arts and sciences themselves.—See,—he builds ... whole schools and colleges for those who come after. Lord! how they will magnify his name!
—One honest tear shed in private over the unfortunate, is worth them all.”
—Laurence Sterne (1713–1768)