Voice Classification in Non-classical Music - Vocal Pedagogical Methods For Contemporary Commercial Music

Vocal Pedagogical Methods For Contemporary Commercial Music

Teaching voice within non-classical music is an emerging field. Up to this point, voice teachers have been concentrated within classical methods of singing. It has really only been within the last few years that music conservatories and music programs with universities have begun to embrace other methodologies suitable to other kinds of vocal music. There is currently not one consistent method in approaching non-classical music but several approaches, most of them not very systematic. Probably the most well thought of method is Jeannette LoVetri's method known as Somatic Voicework. LoVetri teaches in the graduate vocal music department at Shenandoah University, which is the only university to offer graduate music degrees in Contemporary Commercial Music.

Read more about this topic:  Voice Classification In Non-classical Music

Famous quotes containing the words vocal, methods, contemporary, commercial and/or music:

    The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.
    Adlai Stevenson (1900–1965)

    If you want to know the taste of a pear, you must change the pear by eating it yourself.... If you want to know the theory and methods of revolution, you must take part in revolution. All genuine knowledge originates in direct experience.
    Mao Zedong (1893–1976)

    ... contemporary black women felt they were asked to choose between a black movement that primarily served the interests of black male patriarchs and a women’s movement which primarily served the interests of racist white women.
    bell hooks (b. c. 1955)

    There is every reason to rejoice with those self-styled prophets of commercial disaster, those harbingers of gloom,
    Over the imminent lateness of the denouement that, advancing slowly, never arrives,
    At the same time keeping the door open to a tongue-in-cheek attitude on the part of the perpetrators....
    John Ashbery (b. 1927)

    Sweet spring, full of sweet days and roses,
    A box where sweets compacted lie;
    My music shows ye have your closes,
    And all must die.
    George Herbert (1593–1633)