Vocal Pedagogical Methods For Contemporary Commercial Music
Teaching voice within non-classical music is an emerging field. Up to this point, voice teachers have been concentrated within classical methods of singing. It has really only been within the last few years that music conservatories and music programs with universities have begun to embrace other methodologies suitable to other kinds of vocal music. There is currently not one consistent method in approaching non-classical music but several approaches, most of them not very systematic. Probably the most well thought of method is Jeannette LoVetri's method known as Somatic Voicework. LoVetri teaches in the graduate vocal music department at Shenandoah University, which is the only university to offer graduate music degrees in Contemporary Commercial Music.
Read more about this topic: Voice Classification In Non-classical Music
Famous quotes containing the words vocal, methods, contemporary, commercial and/or music:
“If I feel strongly, I say it. I know I can do more good by being vocal than by staying quiet. I’d have a whole lot more money if I lied, but I wouldn’t enjoy spending it.”
—Martina Navratilova (b. 1956)
“A woman might claim to retain some of the child’s faculties, although very limited and defused, simply because she has not been encouraged to learn methods of thought and develop a disciplined mind. As long as education remains largely induction ignorance will retain these advantages over learning and it is time that women impudently put them to work.”
—Germaine Greer (b. 1939)
“The attraction of horror is a mental, or even an intellectual, excitement, but the fascination of the repulsive, so noticeable in contemporary writing, can spring openly from some rotted substance within our civilization ...”
—Ellen Glasgow (1873–1945)
“If men could menstruate ... clearly, menstruation would become an enviable, boast-worthy, masculine event: Men would brag about how long and how much.... Sanitary supplies would be federally funded and free. Of course, some men would still pay for the prestige of such commercial brands as Paul Newman Tampons, Muhammed Ali’s Rope-a-Dope Pads, John Wayne Maxi Pads, and Joe Namath Jock Shields—”For Those Light Bachelor Days.””
—Gloria Steinem (b. 1934)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)