Voice Classification in Non-classical Music - Vocal Pedagogical Methods For Contemporary Commercial Music

Vocal Pedagogical Methods For Contemporary Commercial Music

Teaching voice within non-classical music is an emerging field. Up to this point, voice teachers have been concentrated within classical methods of singing. It has really only been within the last few years that music conservatories and music programs with universities have begun to embrace other methodologies suitable to other kinds of vocal music. There is currently not one consistent method in approaching non-classical music but several approaches, most of them not very systematic. Probably the most well thought of method is Jeannette LoVetri's method known as Somatic Voicework. LoVetri teaches in the graduate vocal music department at Shenandoah University, which is the only university to offer graduate music degrees in Contemporary Commercial Music.

Read more about this topic:  Voice Classification In Non-classical Music

Famous quotes containing the words vocal, methods, contemporary, commercial and/or music:

    “If I feel strongly, I say it. I know I can do more good by being vocal than by staying quiet. I’d have a whole lot more money if I lied, but I wouldn’t enjoy spending it.”
    —Martina Navratilova (b. 1956)

    “Crime is terribly revealing. Try and vary your methods as you will, your tastes, your habits, your attitude of mind, and your soul is revealed by your actions.”
    —Agatha Christie (1891–1976)

    “Eclecticism is the degree zero of contemporary general culture: one listens to reggae, watches a western, eats McDonald’s food for lunch and local cuisine for dinner, wears Paris perfume in Tokyo and “retro” clothes in Hong Kong; knowledge is a matter for TV games. It is easy to find a public for eclectic works.”
    —Jean François Lyotard (b. 1924)

    “It is only by not paying one’s bills that one can hope to live in the memory of the commercial classes.”
    —Oscar Wilde (1854–1900)

    “I used to be angry all the time and I’d sit there weaving my anger. Now I’m not angry. I sit there hearing the sounds outside, the sounds in the room, the sounds of the treadles and heddles—a music of my own making.”
    —Bhakti Ziek (b. c. 1946)