Vocal Pedagogical Methods For Contemporary Commercial Music
Teaching voice within non-classical music is an emerging field. Up to this point, voice teachers have been concentrated within classical methods of singing. It has really only been within the last few years that music conservatories and music programs with universities have begun to embrace other methodologies suitable to other kinds of vocal music. There is currently not one consistent method in approaching non-classical music but several approaches, most of them not very systematic. Probably the most well thought of method is Jeannette LoVetri's method known as Somatic Voicework. LoVetri teaches in the graduate vocal music department at Shenandoah University, which is the only university to offer graduate music degrees in Contemporary Commercial Music.
Read more about this topic: Voice Classification In Non-classical Music
Famous quotes containing the words vocal, methods, contemporary, commercial and/or music:
“With sweet May dews my wings were wet,
And Phoebus fird my vocal rage;
He caught me in his silken net,
And shut me in his golden cage.
He loves to sit and hear me sing,
Then, laughing, sports and plays with me;
Then stretches out my golden wing,
And mocks my loss of liberty.”
—William Blake (17571827)
“How can you tell if you discipline effectively? Ask yourself if your disciplinary methods generally produce lasting results in a manner you find acceptable. Whether your philosophy is democratic or autocratic, whatever techniques you usereasoning, a star chart, time-outs, or spankingif it doesnt work, its not effective.”
—Stanley Turecki (20th century)
“Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.”
—W.H. (Wystan Hugh)
“If men could menstruate ... clearly, menstruation would become an enviable, boast-worthy, masculine event: Men would brag about how long and how much.... Sanitary supplies would be federally funded and free. Of course, some men would still pay for the prestige of such commercial brands as Paul Newman Tampons, Muhammed Alis Rope-a-Dope Pads, John Wayne Maxi Pads, and Joe Namath Jock ShieldsFor Those Light Bachelor Days.”
—Gloria Steinem (b. 1934)
“Poetry is either something that lives like fire inside youlike music to the musician or Marxism to the Communistor else it is nothing, an empty formalized bore around which pedants can endlessly drone their notes and explanations.”
—F. Scott Fitzgerald (18961940)