Vivian Sobchack - Works

Works

Books:

  • Carnal Thoughts: Embodiment and Moving Image Culture (Berkeley: University of California Press, 2004).
  • Beyond the Gaze: Recent Approaches to Film Feminisms Vol. 30: no.1 (Autumn 2004), Co-editor with Kathleen McHugh.
  • Meta-Morphing: Visual Transformation and the Culture of Quick Change, Editor (Minneapolis:University of Minnesota Press, 2000).
  • The Persistence of History: Cinema, Television and the Modern Event, Editor (New York: AFI Film Reader Series, Routledge, 1996).
  • New Chinese Cinemas: Forms, Identities, Politics, Co-editor with Nick Browne, Paul Pickowicz, and Esther Yau (London: Cambridge University Press, 1994).
  • The Address of the Eye: A Phenomenology of Film Experience (Princeton, NJ: Princeton University Press,1992).
  • Screening Space: The American Science Fiction Film (New York: Ungar Press,1987, rpt., Rutgers University Press, 1997).
  • The Limits of Infinity: The American Science Fiction Film 1950-1975 (South Brunswick, NJ & New York: A.S. Barnes/London: Thomas Yoselloff, Ltd., 1980).
  • An Introduction to Film, Co-author with Thomas Sobchack, (Boston, MA: Little, Brown, 1980).

Articles:

  • "Waking Life: Vivian Sobchack on the experience of Innocence," Film Comment 41, no. 6 (November/December 2005): 46-49.
  • "Nostalgia for a Digital Object: Regrets on the Quickening of QuickTime," Millennium Film Journal 34 (Fall 1999): 4-23. available at:
  • "Toward a Phenomenology of Non-Fictional Experience," in Collecting Visible Evidence, ed. Michael Renov and Jane Gaines (Minneapolis: University of Minnesota Press, 1999), 241-254.
  • "'Lounge Time': Post-War Crises and the Chronotope of Film Noir," in Refiguring American Film Genres: History and Theory, ed. Nick Browne (Berkeley: University of California Press, 1998), 129-170.
  • "The Scene of the Screen: Envisioning Cinematic and Electronic ‘Presence," in Materialities of Communication, ed. Hans Ulrich Gumbrecht and K. Ludwig Pfeiffer (Stanford: Stanford University Press, 1994), 83-106.
  • "The Active Eye: A Phenomenology of Cinematic Vision," Quarterly Review of Film and Video, 12, no. 3 (1990): 21-36.
  • "Cities on the Edge of Time: The Urban Science Fiction Film," East-West Film Journal, 3, no. 1 (December 1988): 4-19.

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