Production
The producer was “Ralph Solomons” whose previous producing credits include The Green Shoes, Its the only way to Go, and A Persian Fairy Tale. While Hazel Adair’s name appears on the credits (as co-writer of the song “You Go Your Way”), she did not admit to co- producing the film until 1975, when she featured in an episode of the BBC's Man Alive concerning sex films. The revelation that prompted Cinema X magazine (Vol 4. No. 4) to remark that her films “are far removed from Miss Adair’s more cozy world of Crossroads, Hazel Adair’s other films include Clinic Exclusive (1971), Can You Keep It Up For a Week? (1974), Keep it Up Downstairs (1976), and the more mainstream Game for Vultures (1979).
“Klaus Vogel”, who wrote the script and the film's tie-in novelisation, was in fact Crossroads producer Beryl Vertue.
Virgin Witch was filmed in Surrey during 1970 and previewed in the December editions of Mayfair and Continental Film Review (in which the title was referred to as "The Virgin Witch"). However, the film is copyrighted as a 1971 production, and censorship problems would mean it was not widely seen until 1972. The country house location, Pirbright, Admiral's Walk would be later used in Satan's Slave (1976) and Terror (1978), which were both directed by Norman J. Warren.
Read more about this topic: Virgin Witch
Famous quotes containing the word production:
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)