Metal Opera & Theatre
A Metal Opera is a mix between Rock opera, Broadway style and "Heavy metal adapted for theater's actors live performances".
According with German artists Walter Weyers and Martina Krawulsky, with the name "Klytaimnestra": "The House of Atreus" Metal Opera (musically available on the Virgin Steele's albums The House of Atreus Act I, The House of Atreus Act II) was performed on stage in Germany theaters by Landestheater Production.
The result, very different from a heavy metal concert, is a metal based dark Broadway style musical really powerful and energetic with actors only.
The premiere of "Klytaimnestra" in Memmingen, the 5th June 1999, has been the first ever regular musical theatre show based on heavy metal concepts.
After "Klytaimnestra" success, David DeFeis & Landestheater Production extracted a second Metal Opera musical, named "The Rebels", from the previous Marriage of Heaven and Hell trilogy ("The Marriage of Heaven and Hell Part I", "The Marriage of Heaven and Hell Part II", "Invictus").
In 2003, the same team released a third Metal Opera, named "Lilith", based on the material of album Visions of Eden. "Visons of Eden" was later on published in CD in 2006. In a different way to the previous two Operas, David DeFeis declared: "I don't think of it as a Metal Opera. What it really is, is the soundtrack for a major motion picture that has yet to be made! And by the hammer of Zeus, I will make this film one day. I call this work a Barbaric Romantic movie of the mind.".
Read more about this topic: Virgin Steele
Famous quotes containing the words metal, opera and/or theatre:
“And, indeed, is there not something holy about a great kitchen?... The scoured gleam of row upon row of metal vessels dangling from hooks or reposing on their shelves till needed with the air of so many chalices waiting for the celebration of the sacrament of food. And the range like an altar, yes, before which my mother bowed in perpetual homage, a fringe of sweat upon her upper lip and the fire glowing in her cheeks.”
—Angela Carter (1940–1992)
“Opera once was an important social instrument—especially in Italy. With Rossini and Verdi people were listening to opera together and having the same catharsis with the same story, the same moral dilemmas. They were holding hands in the darkness. That has gone. Now perhaps they are holding hands watching television.”
—Luciano Berio (b. 1925)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1858–1924)