Cultural Importance
The First Violin Concerto was composed during the post-war years in Soviet Russia (1947–48), a time of severe censorship. A new censorship decree had been issued in 1934 that required advance screenings of concerts, plays, and ballets at least ten days prior to their premieres, and seats in the concert halls were reserved for censors. Grounds for banning a work included anti-Soviet propaganda, lack of proper ideological perspective, and the lack of perceived artistic merit. In the 1950s, the focus of Soviet censorship shifted to literary works. Because of this hostile environment, Shostakovich kept the concerto unpublished until Stalin's death in March 1953 and the thaw that followed. Music historian Boris Schwarz notes that during the post-war years, Shostakovich divided his music into two idioms. The first was "simplified and accessible to comply with Kremlin guidelines" while the second was "complex and abstract to satisfy own artistic standards" ; the First Violin Concerto, given the complex nature of its composition, undoubtedly falls into the second category and as such was not premiered until 1955.
Read more about this topic: Violin Concerto No. 1 (Shostakovich)
Famous quotes containing the words cultural and/or importance:
“The primary function of myth is to validate an existing social order. Myth enshrines conservative social values, raising tradition on a pedestal. It expresses and confirms, rather than explains or questions, the sources of cultural attitudes and values.... Because myth anchors the present in the past it is a sociological charter for a future society which is an exact replica of the present one.”
—Ann Oakley (b. 1944)
“We have been told over and over about the importance of bonding to our children. Rarely do we hear about the skill of letting go, or, as one parent said, that we raise our children to leave us. Early childhood, as our kids gain skills and eagerly want some distance from us, is a time to build a kind of adult-child balance which permits both of us room.”
—Joan Sheingold Ditzion (20th century)