Repertoire
- 1. Song festivals - Sopot, Opole, Knokke-Heist, Basel etc. (1961–1964)
- Ave Maria no Morro
- For You My Darling
- Look Straight Into My Eyes
- Si señor
- The Time Will Come
- To You, Mother
- 2 "Roue de la chance", Theatre Fontaine in Paris (1965)
- Ave Maria no Morro
- Look Straight Into my Eyes
- 3. "Grand music hall de Varsovie", Olympia in Paris (1966)
- Ave Maria no Morro
- Hiroshima Mon Amour
- Look Straight Into my Eyes
- Non C'est Rien
- 4. "Casino de Paris", Dunes in Las Vegas (1967–1969)
- Ave Maria no Morro
- C'est si bon
- Dark Eyes
- Et Maintenant
- Gounod's Ave Maria
- Free Again
- Granada
- Hello, Dolly!
- I Will Wait for You
- L'amour Est Un Oiseau Rebelle
- Libiamo ne' Lieti Calici
- My Heart Belongs to Daddy
- Ne me quitte pas
- O sole mio
- Somewhere My Love
- Strangers in the night
- Un bel di, vedremo
- Under Paris Skies
- Under the Bridges of Paris
- This Is My Song
- Vissi d'arte
- What Now My Love
- 5. "Villas Revue", Congress Hall in Warsaw (1968)
- Dark Eyes
- Hello, Dolly!
- L'amour Est Un Oiseau Rebelle
- Libiamo ne' Lieti Calici
- My Heart Belongs to Daddy
- Strangers in the Night
- This Is My Song
- 6. "Violetta", international concert tour started at Carnegie Hall in New York (1987–1988)
- Arias from Carmen
- Dark Eyes
- Granada
- Happiness (polish - Szczęście)
- If you go away
- Kiss me hotly (polish - Całuj gorąco)
- Mechanical doll (polish - Mechaniczna lalka)
- Strangers in the night
- Summertime
- Violetta
Read more about this topic: Violetta Villas
Famous quotes containing the word repertoire:
“The best joke-tellers are those who have the patience to wait for conversation to come around to the point where the jokes in their repertoire have application.”
—Joseph Epstein (b. 1937)
“For good teaching rests neither in accumulating a shelfful of knowledge nor in developing a repertoire of skills. In the end, good teaching lies in a willingness to attend and care for what happens in our students, ourselves, and the space between us. Good teaching is a certain kind of stance, I think. It is a stance of receptivity, of attunement, of listening.”
—Laurent A. Daloz (20th century)